Sjhlrùl
2023
Experimental
Synopsis
Sjhlrùl is a film where the viewer is immersed in the world of pigeons. A world that is both very real and completely imaginary : the pigeons interact with each other, comment on what they see, complain or ask questions...Although the voice we hear is human, the text read was written by the pigeons themselves, pecking bread on a computer keyboard...
This is not a work about pigeons, but with pigeons. Indeed, they are everywhere, they play all the roles and write their own dialogues. It’s a real collaboration, resulting for me in a multi-species cross where pigeons and humans become one.
I put a computer on the ground, in the street. Pigeons were wary of it for a long time before understanding that he was not a danger for them. In the end, the acceptance was total and the pigeons started writing a lot.
Later, I asked around ten people to read the text produced. They all interpreted it freely and in a very personal way, letting themselves be carried away by the particular rhythm, the sounds, the sequences of consonants, the punctuations, the repetitions, creating a dialect of pigeons, a language - or perhaps languages - completely imaginary both close and completely far from what we have already heard.
From these recorded sounds and these images taken, I began to associate the two, finding similarities in the movements of the pigeons and the sounds produced by the voices.
These therefore became, through association with the image, inner voices, dialogues or so
This is not a work about pigeons, but with pigeons. Indeed, they are everywhere, they play all the roles and write their own dialogues. It’s a real collaboration, resulting for me in a multi-species cross where pigeons and humans become one.
I put a computer on the ground, in the street. Pigeons were wary of it for a long time before understanding that he was not a danger for them. In the end, the acceptance was total and the pigeons started writing a lot.
Later, I asked around ten people to read the text produced. They all interpreted it freely and in a very personal way, letting themselves be carried away by the particular rhythm, the sounds, the sequences of consonants, the punctuations, the repetitions, creating a dialect of pigeons, a language - or perhaps languages - completely imaginary both close and completely far from what we have already heard.
From these recorded sounds and these images taken, I began to associate the two, finding similarities in the movements of the pigeons and the sounds produced by the voices.
These therefore became, through association with the image, inner voices, dialogues or so
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