Yes is an experimental music film exploring the construction of national identity through satire and cultural symbolism.

Built around a catalogue of historical and contemporary stereotypes directed at Scotland, the film adopts the language of ridicule and laughs in its face.
Porridge, tartan, traffic cones, industrial landscapes and altered public slogans are assembled into a surreal celebration where parody and political unease coexist. The work invites audiences to consider how nations become reduced to symbols, stereotypes and performances, and how identity is continually reconstructed.
Blending music, experimental cinema, performance art. Yes examines the uneasy relationship between cultural pride, national branding and political self-determination.