All Films

The year is 3333. There are two forms of government, two ways of life, two opposites - the System and Knowledge. This year they have new representatives in the person of Mark - a mysterious man who has followed the principles of the System since childhood, and Laura - a woman with a mysterious past who has dedicated her life to a cause. The elections are approaching, and the results are already clear...or maybe not?

Ωmega Ωne: of direct(((ive)))s, once removed emerges from intersection of gay tourist “thirst traps” shot in Chapada Diamintina (Igatu, Bahia, Brazil), Grindr longings, and Star Trek Voyager to examine histories of colonialism and desire. Recasting the politically and historically charged landscape of Chapada Diamintina as a “set” for occidental self-exploration, the project leans into the double-bind, and problematic power dynamics of locating and engaging narratives of queerness in spaces in which one may not belong.

SAISHO HA KAKUSEI — Saibā Riot (Official Music Video) 最初は覚醒 — サイバー・ライオット（オフィシャル・ミュージックビデオ）by Jonathan Carène This is the first official music video in hyper-real style set in the same world created as a solo work by Jonathan Carène for his newly launched Japanese anime series, Saibā Riot (Cyber Riot), an anime series built on a strong and singular visual identity, fluid storytelling, and high-end production quality, produced in original Japanese with an ongoing storyline planned across dozens of five-minute episodes. The music video along with the anime series is produced through the use of several generative AI tools to assist the production while the creative process, technical skills, lyrics and narrative writing, image and video edit, art direction, narration, lyrics, prompt design and thousands of choices remain Human made. Saibā Riot, the series' first official music video, carries that world's founding act of disobedience into song and features the characters from the upcoming first season. The work shows that AI can generate multiple styles of content for the same IP, while producing pilot-like content that stands on its own for its uniqueness and brings the IP toward a wider audience. The video is built as a short film with a 45-second introduction scene, opening inside a crime lord's purple-lit sanctuary, a world of gilded excess and casual cruelty. Three women, Akira, Meika and Tokiko, enter as rebels here to restore balance: the activation of a small relic sends a wave of force through the room, and the household's careful order collapses into chaos. From there the film crosses into a second set, then the rebels' headquarters, and finally into the streets of Cyber City. The lyrics are built as an empowering anthem that defies authority and speaks to a wide audience. What begins as disobedience becomes a chorus: wake up, resist, revolt, face the authority.

Through a blend of nostalgic childhood archives and striking contemporary reflects on the deeply [freedom is close yet distant] ,imagery personal impact of physical barriers and restricted movement. As childhood dreams of freedom collide with the stark reality of separation, the film uses poetic visual metaphors to explore how close- yet distant-true freedom can feel

An orphan in the slum scrapes by collecting plastic waste. Inside his shabby hut, he drifts into a hallucination: plastic bags morph into an elephant (symbolizing ideals), a cat (embodying maternal warmth and comfort), and a dog (standing for paternal loyalty and courage). They carry him flying over cities, playgrounds and forests, letting him encounter endless warmth and beauty. As the fantasy fades with the sunset, a thin plastic sheet settles gently over his body in cold reality. This imaginary flight is the last tenderness bestowed upon him by suffering.

A picturesque field somewhere in England is the setting of a surrealist family drama. An adult son longs for connection with his mother while she is consumed by another passion.

A ten-episode vertical horror experience adapted from Edgar Allan Poe's 1843 masterwork. A careful, obsessive killer executes the perfect murder, only to find themself tormented by the eye of their victim. As police investigate, the line between control and madness blurs, leading to an unsettling cycle of obsession, guilt, and horror.

Angel is a young woman on the brink of a nervous breakdown. Feeling as if she has no control left in her life, she commits wholeheartedly to a series of spontaneous and erratic decisions. The result is an emotional metamorphosis with large scale consequences.

An animated play where Trump asks Jacques Louis David to paint him a portrait.

When Mel hosts Greg for a dinner date, her overuse of AI quickly escalates the date into a chaotic nightmare.

An eerily whimsical pop-up candy shop appears overnight, run by three mysterious girls who lure innocent souls into a bittersweet trap.

After 17 years of captivity, Vera manages to escape from her kidnapper. Her friend Nicholas is the only person she has left to lean on to return to a normal life, but something still seems to haunt her.

A recurring dream of a mysterious carnival tent and its silent clown seductress becomes an obsession for Dexy, until the line between dreams and reality disappears altogether. With each visit, the carnival claims a little more of her, transforming her into something that no longer belongs in the waking world. When her best friend follows the trail, she discovers the nightmare isn't over—it has simply found its next guest.

A man approaching forty prepares to spend an intimate evening with a woman who has only recently entered his life, determined to appear confident, composed and completely in control. But the encounter ends in an unexpected sexual défaillance. Amid medication, family wounds, masculine expectations and unforgiving judgement, Misfire builds the tragicomic portrait of a man struggling to remain “up to the task,” while no one seems interested in understanding what really happened to him.

Aadi, a ten-year-old boy from South India, is one among the 'Chosen Eighteen' kids who are all isolated in different parts of a post-apocalyptic world. The human race is erased on Planet Earth as part of a possibly A.I./Alien regulated Total Recall Project. The eighteen kids are left with none of the benefits of human civilization or advancements, and they have to survive ten years with no one to protect them in order to prove that they are worthy of claiming Earth as their home again. Aadi clings on to memories and a select documentation of art, literature and philosophy stored in a book, which was gifted to him by his parents as a survival manual. Are these enough for him in his ultimate fight for survival, not just against the forces of Nature, but his own physical and psychological needs and weaknesses?

As Ella embarks on a musical journey, she meets 4 other teenagers, each with a new song. Taking place in a mysterious theater, the musical numbers reveal heart wrenching stories of child trafficking sung in new and creative ways. The Final Curtain Call combines a serious matter with the power of music to convey an impactful message and tell a devastating story.

Pillow Men is a short music video steeped in a dark, absurdist aesthetic. In a world governed by the Pillow System, people voluntarily don white square-shaped pillows, surrendering their consciousness to an AI system. Under the guise of benefiting humanity, the system distills individual skills, creativity, and emotions into replaceable tapes—archived and ready for deployment at any moment. The protagonist, a lone dissenter who refuses the pillow, is marked as a depreciated asset by the system, hunted, captured, and subjected to forced assimilation. She breaks free, sabotages the system's power core, and triggers a cascading collapse. Yet when she stands on an overpass looking down at the city, she discovers that those who had briefly awakened have, in the end, all made the same choice: to take it off or not. The film culminates in a solitary vocal performance amid a torrential storm—a modern fable about freedom, control, and the haunting question: Is blankness also a crime? All visuals in this film are AI-generated. Every stage of the production was handled by a single person.

It's a story of breaking free and running toward something no one else has defined. With one relentless run, the protagonist answers every path others have laid out for her. It begins with what seems like an act of obedience. Instead of filling a glass, she pours the water directly onto the table. It spreads across the surface and rises until the entire room is submerged. She does not break the rules. She exploits the inherent absurdity of discipline itself, letting it collapse from within. She surges against the current. She does not retreat, even as the storm tears at her. In the end, she runs into a vast, golden wilderness — where the wind moves through the grass in waves, and a wooden puppet lies fallen, its joints finally come apart. "Further from the ground" is not about flight or escape. It is a restrained longing — the kind that belongs to those of us who do not want to be heroes, who simply want, in a moment when everything presses down, to lift our heads just enough to see a sky that belongs to us. What this MV captures is exactly that moment of looking up. Blue is the color of discipline. But warmth, all along, has been growing. Trapped by discipline, she breaks through the boundary set for her — not by rebellion, but by exploiting the very logic meant to confine her. Then, without looking back, she runs toward a direction she has created for herself. All visuals in this film are AI-generated. Every stage of the production was handled by a single person.

This film was inspired by the "Doomsday Clock," with mounting concerns as the time nears midnight. Mine is a very personal dreamlike, surreal approach to disturbing subject matter: civil strife around the world, desecration of the environment, climate change, but in the end as there always is in my depictions there's hope that collectively we can learn to live in harmony and peace. In addition to being a filmmaker I'm a painter. I used a number of paintings in this film as background motifs, faces, scenes and textures. Lastly, as in my last film I composed the sound before creating the scenes. The audio sequences conjured up the visuals.

When Andre — a Midtown man in a perfect grey suit — loses the love of his life to a yellow cab on W. 52nd Street, he does what any reasonable man would do: he chases her through medieval England, feudal Japan, Vietnam, and an alien war. Just A Walk is a ten-minute jazz-and-salsa musical set in 1960s New York — part Fred Astaire, part La La Land, part Harlem block party that nobody planned and everybody needed. It is romantic, absurd, and ends on a brownstone stoop in the blue dusk of 118th Street with a line about cheeseburgers that means something else entirely. It is also the first musical ever made entirely with AI. Every frame generated. Every note scored. Every dance, every street corner, every pigeon — AI. No cameras. No crew. No budget that would frighten a reasonable person.

One morning John woke up with an itchy ear. He scratched it and it fell off his head. He put it in a safe spot so it could be re-attached later. But Ear was getting bored. Then he heard music playing at the local pub, so he followed the music and met a lovely set of Lips at the bar. They began talking with eachother and other body parts before John races in to grab ear so he could be stitched on in time. But John had to promise he would return to the pub after recovery. John returned to the pub after surgery and caught up with Alecia (Lips) for a drink and a dance. After that John always kept an ear out for fun!

Film professor Nick Corsano meets an aspiring director with extraordinary talent, but this individual has one major obstacle to overcome... The fact that he is a cockroach.

He outsourced his own death. They outsourced the job… to a comically long chain of subcontractors. In this satire, a man's million-dollar "accident" is mistakenly designated a "vengeance killing" and passed down the ladder. Now, he must navigate a maze of corporate incompetence to cancel the hit—before it's bungled by the lowest subcontractor.