All Films

A group of guys pass their time by drinking, catcalling women, and discussing morals.

A weekend in the mountains becomes an opportunity for meeting, relating and comparing between a blind man and a group of young people with disabilities. For us "superheroes" ... "it's very simple: you can only see well with your heart. What is essential is invisible to the eyes"

A former Royal Marine now homeless on the streets of Manchester struggles to survive a world that no longer sees him. As fragments of his past surface throughout a single day, Johnny fights to hold onto his dignity while confronting trauma, isolation, and the cost of service long after the uniform is gone.

Étouffe-moi Seul is the final chapter to La Pièce Vide (The Empty Room Trilogy). Though Étouffe-moi Seul can be seen as a stand-alone film, it provides the finalé to the story of The Woman. Traveling across the country to make a new start, The Woman tries to escape her past, only to fall deeper into her other personality, Olivia. Seeking an alternative approach through psychedelic therapy at the Sanitaria Institut. The Woman's & Olivia's lines of reality start to blur & the truth fully begins to collapse in on itself. Étouffe-moi Seul is Vivian Kay Quintero's third film to date. .La Tristesse (2022) .En Morceaux (2023) .Étouffe-moi Seul (2025)

Alice is a 9 year old detective who wants to live up to the legacy of her detective father. One night, she heads out to stop a criminal in the midst of a bank robbery. Even though she was successful in catching the criminal, will the young girls hard work be taken seriously by the police? Or will she be brushed off to the side.

'(Un)earthing - plant knowledge and dreams' is an ambient dream journey; recalling memories and personal stories of healing with plants. A lot of the once common knowledge around medicinal plants has gone lost through the violent processes of capitalism, church and colonialism, disproportionately affecting women. Therefore, remembering, reclaiming and sharing this knowledge is a personal as well as a political act. By meeting and using local, widely available plants, often labelled as ‘weeds’, we can take control over our own health, as well as the health of society and the environment in order to heal and re-enchant the world.

Directed by 5x Emmy award winning director Joe Hill, Don’t Leave Me follows two women deeply in love, who start to experience the dangers of losing themselves in each other. Don’t Leave Me is a visualization of the choice between yourself or your relationship.

A young man desperate for an Americano visits the coffee shop he frequents only to find it impossible to communicate his order. Things escalate into absurdity as everyone, including his friend, speaks in a language he does not understand. Estranged, startled, and confused, the young man must decide how much a cup of coffee really is worth.

A silent film. Between passion and solitude, Margarida drifts through a fragile world shaped by tension, desire, and uncertainty.

Agni and Sowmya, once college sweethearts, are now married and living a quiet life. When Purvaja - their old college friend - unexpectedly returns, the reunion rekindles forgotten emotions and hidden desires. As the bond between Sowmya and Purvaja deepens, Agni begins to feel the ground shifting beneath his feet. Agni is a tense exploration of love, trust, and the fragile line between affection and obsession.

A psychology student in written correspondence with a convicted killer pieces together a dark truth about her boyfriend.

Inspired by the mythological figure of the basilisk, four protagonists embark on an audiovisual journey through inner and outer landscapes and create together a creature from their personal experiences dealing with discriminations, loss, pleasure and moments of resistance.

Ψ is an experimental short film exploring the inner world of a woman living with a mental health disorder. Told through haunting visuals and a poetic structure, the film is a silent meditation on isolation, identity, and the invisible struggles of the mind. Ψ becomes both confession and catharsis—unfolding without voice or dialogue, guided solely by music and written word. Inspired by the writer’s personal experience, the film offers a raw and intimate perspective on the female neurodivergent condition, amplifying the voices of women who battle internal chaos in silence, within the confines of patriarchal society.

A woman enters a digital realm where fashion becomes code and desire becomes an algorithm, gradually dissolving her into the system she THOUGHT she longed for.

“Animalz” is a 10-minute cinematic short film set in a parallel world where animals have become the dominant species and humans are hunted, imprisoned, and processed. The story follows a father whose wife and daughter are captured by anthropomorphic tiger soldiers. 
He escapes into the forest, haunted by flashbacks, and joins a hidden human group to launch a final, desperate attempt to reach the city and save his family. 
What he finds is a disturbing mirror of our own society. 
Told through poetic visuals, minimal dialogue, and striking emotional moments, the film blurs the lines between roles of predator and prey, asking what truly defines a civilization.


Gaza’s Lost Horizon portrays the life of a Gazan child left paralyzed by the ongoing Israeli genocide, offering a raw look at childhood under loss, trauma, and survival.

Inanna Justice prepares a chicken, and her submissive, for a tasty treat.

The film follows a grieving man drifting through his daily routines. Caught in a silent battle with grief after the loss of his wife, his emptiness lingers, from lonely meals and mundane errands to moments of breakdown and deep introspection. Each step in his day echoes her absence. Until one final act reflects his fragile will to move forward.

Agent Red has an assignment, to interview a former paranoid schizophrenic with a rare personality disorder and determine if the once dangerous individual is fit to reenter society. Nothing less, Nothing more.

Shirt wraps up his evening and begins to get ready for bed just like any other night, until he notices something watching him.

Gaza’s Patient Heart follows the journey of an injured family from Gaza seeking medical care in Qatar, revealing quiet strength, unshaken resilience, and enduring hope amid profound loss and the suffering caused by an ongoing genocide.

Gaza’s Rain follows a Palestinian nurse who survived the massacre at Al-Shifa Hospital in Gaza during the ongoing Israeli genocide.

Inferno 2.0 is an experimental animated short film inspired by Dante Alighieri's Divine Comedy. Through a series of surreal, AI-generated visual sequences, the film reinterprets the nine circles of hell and culminates in a vision of a lost paradise as reflections of modern societal phenomena, from hypocrisy, fleeting pleasure, and rampant consumerism to environmental destruction, political corruption, and surveillance culture. Each circle is introduced by original poetry, written with the assistance of AI technology under the artistic direction of the filmmaker, and presented vocally in Italian, serving as a thematic gateway and emotional anchor for the viewer. Utilizing morphing animation, dreamlike transformations, and surreal figures and symbolic scenes, Inferno 2.0 creates a hypnotic descent through contemporary human vices, blurring the lines between past and future, reality and dystopia. The visual and audio elements of Inferno 2.0 were created through a collaborative process between human artistic direction and advanced AI tools such as DALL·E, Runway ML, Suno AI, and ElevenLabs. Conceptual prompts, poetic scripts, voiceovers, and soundscapes were developed using AI technologies, guided and curated by the filmmaker to craft an immersive, coherent experience. The soundtrack, generated with AI assistance, blends minimalistic, melancholic soundscapes with ethereal ambient elements, deepening the immersive and emotional journey through the digital inferno. Inferno 2.0 is not a literal adaptation of Dante's work but an atmospheric and emotional reimagining, capturing the spirit of existential reflection and human fallibility in the digital age. After traversing the nine circles of hell, the journey culminates in a final vision of a lost paradise, offering a stark meditation on the fragility of human values and the enduring hope for redemption. With its fusion of experimental imagery, poetic narration, contemporary soundscape, and human-AI collaboration, Inferno 2.0 stands as a bold visual essay and an artistic warning against losing paradise once again.

<A Nest in My Heart> is a deeply personal human drama of South Korea that confronts the distance between who we are today and the child we once were. In present-day South Korea, an elderly woman stands inside her daughter’s luxurious apartment. The pristine bathroom—symbol of modern prosperity—unexpectedly opens a passage to her earliest memory. She becomes again a five-year-old girl growing up in a 1960s hillside slum, raised by her grandmother amid hunger, superstition, faith, and communal life. Through the child’s gaze, the film recalls a world where survival depended not on wealth, but on human bonds: a piece of bread shared after prayer, neighbors bound by ritual and rumor, and a grandmother whose arms became the final barrier between life and death. A near-fatal childhood accident crystallizes the film’s emotional core—revealing love as both refuge and destiny. Moving fluidly between past and present, realism and gentle fantasy, <A Nest in My Heart> asks a quiet but urgent question: In a world that has grown richer, what have we forgotten? This film is not only a recollection of poverty, but a tribute to the invisible nest of love that sustains life, long after childhood has ended.