All Films

2012 French documentary where the interviewer gets 6 seemingly random women to empty their handbags and then asks probing questions to get to their "soul". Simone 33, a model. Ilhem 36, a sports coach. Caroline 33, a curator. Anne-Sophie 29, a press attache. Catherine 43, a teacher. Valentina 23, a student. French with English sub-titles.

Krissy and Brendan want a natural birth. In New York City, parents have two weeks from their due date before doctors must induce. Today is Krissy and Brendan's due date and they'll try anything to avoid inducing now that they're overdue.

SKIN is the story of a child taxidermist, an outsider in his small town. He is entranced by a girl who finds his work beautiful. But just as their relationship begins to progress, he does something that drastically changes everything.

Out into the big wide world as fast as possible. That’s Elli’s plan. But where should she get the money from, if not steal it? When Heze falls for her, she steals from him and both have to learn: “Adulthood is a big pain in the arse”.

A young boy named Timka sets out on an adventure with his best friend Hyduke, a mouse.

A poetic view into the relationship of immensity between man and landscape. We contemplate, from the distance, the activity of the skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a spectral presence.

No two friends are more different than Little Anna and the Tall Uncle. She is short, he is very tall. Little Anna is brave, the Tall Uncle is a scared cat. And yet there is nobody who Little Anna would rather go swimming with, build a tree house with or ride a motorcycle with than the Tall Uncle. And there is nobody the Tall Uncle would rather bake a yummy cake for than his best friend Little Anna.

Little seven-year old, Petey, falls prey to his older brothers' hellion ways.

A family is preparing a wedding for one of their family members, and despite having many material problems and having a father in hospital, they are planning to buy coins. To give their families their return as a wedding gift in order to preserve honor in front of the bride's family ...

A coming-of-age story about Jack, a 16-year old Iranian boy growing up in 1989 Los Angeles. With the 1979 Iranian Revolution a distant memory, the AIDS movement as a backdrop, and a haunting score by Vampire Weekend's Rostam Batmanglij, Jack learns how to stage his own much smaller revolution within the confines of his traditional family.

A mobile telephony commercial explains the company offers to a customer.

Ten-year-old Emil lives with his dad in an apartment in Taastrup. Following the death of Emil's mother, his father struggles with the role of single parent. In an effort to deal with this lack of fatherly attention and authority, Emil has come up with a set of strange rules and secret projects.

A forgotten robo-coffee-maker lives in the shadow of his inventor’s latest creation.

Awena was left alone when war took him away from home.

Couple making love in a park in Rio de Janeiro face perverts in search of sex.

Mister De Vries (93) sits at his window awaiting his death. Until one cold winter day he is surprised by the arrival of a parcel. When he subsequently sees a pigeon flying off he knows that this is no ordinary message. His time has come. Mister De Vries momentarily hesitates to open it. When he chances it, he finds his old Frisian skates. There’s only one thing to be done.

In 2011, Tsai Ming-Liang staged a play, "Only You", for Taiwan's National Theater and Concert Hall. In it, there was a powerfully moving scene where monk Xuanzang walked at an extremely slow pace for half an hour. Lamenting the transient nature of theater, Tsai decided to make a movie out of this slow-walking performance, "No Form", the first of his "Walker Films" series.

Settling into their new home—the rambling Victorian mansion at 1313 Mockingbird Lane— the Munster are quickly onto the mission at hand: to gently ease sweet little Eddie into the reality of his werewolf adolescence. The loving, supportive, run-of-the-mill family includes his mom Lily, the daughter of Dracula, his dad Herman, who brings new meaning to "Frankenstein," and Grandpa! Of course, there's creepy cousin Marilyn, who's really the odd one because she's so completely normal.

One rainy day, a robber breaks into the wrong house.

A visit to the studio of Ernst Wilhelm Nay, a remarkable, if somewhat solitary German artist, who established his status at age 30, just before the advent of the Nazi takeover. Nay belonged to the persecuted generation of German artists who, just as their work began to blossom, were forced out by Hitler's art dictatorship. Labeling the art "decadent", the Hitler regime called for the removal of Nay's paintings from museum collections and the artist was banned from showcasing his new work. After the end of World War II, Nay returned to painting and worked tirelessly to make up for lost time, producing new pieces year after year and quickly becoming one of Germany's leading painters. Ernst Wilhelm Nay died in 1968 at the age of 65 yet his studio, still intact, offers a retrospective of his work starting from the 1920s. His wife, Elisabeth Nay walks us through the studio, offering insights into her husband's process and creative intent.

Kosovo 1999. A line of refugees stops at a Serbian checkpoint. Serbian paramilitaries pull Adem and two boys, his son and his grandson, out of the car. Adem tries to pay for the children's lives, but he doesn't have enough money. They tell him that he can only save one child with this money. He must decide which one to save.

August 11th 2011 was one of the best days of my life: I had a trip with my father to Locarno, where I met and interviewed Raya Martin, a director I deeply respect and admire – definitely one of my heroes. My first idea was to produce the classical “auteur profile” documentary (full-coverage interview occasionally featuring archive images), but since I was having such an inspiring and exciting chat with Raya I realized that the “institutional” approach was way too cold and inappropriate: why not present a film theory essay as if it was a home movie? After all, it was me and my father on a holiday trip... Thus, in my little, amateurish instant-movie I applied Raya's “autohystoric” (autohysteric?) method as naively as possible, hoping to put forward a manifesto for a cinema lived on your own skin.

Rio de Janeiro, May, 2012. João waits for Bia in front of the women’s restroom. However, she mysteriously disappears. Now, he doesn’t know if she died, was raptured or just fell in love with somebody else.

A high school student, raised in a modern family, is taken to a gynecologist for a virginity test by her parents. The psychologically and physically traumatizing examination makes her realize she does not have control over her own body. She will do anything she can to take the control back.