All Films

Seventeen different songs, skits, and strange behavior filmed live. Includes guest appearances by Eyvind Kang and Steve Stone.

In ‘Here After’, filmed in a soon-to-be-demolished inner-city tower block on the north side of Dublin, objects disintegrate before our eyes, as though being eaten by some strange virus or invisible entity. The contents of a room disappear as the carpet beneath them is sucked into a void below. Wind haunts the empty spaces, stirring the curtains on an open window, or the wallpaper which barely clings to the damp wall. This movement is contrasted by the stillness of an undressed bed, a rectangle of light from outside creeping over its surface, pausing as if resting one last time before moving off again. The barrier between the interior and exterior is no longer intact, and nature encroaches – water dripping down walls, advancing slowly over floors, spilling dangerously from light-fittings. Light spills in too, but rather than hopeful illumination, its presence is menacing, evoking a sense of time passing too quickly, bringing premature decay.

Intimacy. Ecstasy. Bliss. Sex and spiritual connection: Can one really enhance the other? This film answers with a resounding Yes! For eons heterosexual couples have benefited from the ancient practice called Tantra, this film strives to bring it to the women's community worldwide. Visit with three tantra workshop leaders who explore various aspects of lovemaking such as breathing, focusing, touching, and meditation. Some of the more explicit scenes might make you blush, but you just might leave the theater eager to try out these new tricks! Featuring out favorite former-prostitute-turned-lesbian-sex-goddess, Annie Sprinkle.

This one minute film shows children “playing” games using water pistols filled with blood while the soundtrack melodically recites a poem on violence. Useless is Blood is a comment on ongoing terror. Children copy the behavior of their parents and ancestors. Violence is deeply embedded in society, with the consequence it can’t be eliminated within one generation.

Emotions come & go; so do people. The world is an awful & awesome place; so is the mind. We hear dark inner thoughts of a person & see people taking in the first spring sun in a public park in Toronto. As the World Churns...

Where does 'I' leave off and the 'world' begin; when does 'past' end and 'present' begin? Images blurring boundaries suggest the relatedness of being. A few moments in an English garden thinking of Virginia Woolf.

Single 8 film by Masaharu Oki.

A short film of a Canto from Maldoror.

The passage of a paulistano in his passage through the identification process with the city.

Creating an intricate visual map, photograms provide the opportunity to travel through the space of a spider’s web.

Gunnar Gräshoppa is looking for his/her true gender identity. To be happy, you have to be honest with yourself and follow your own innermost desires.

Tater, a world renown classical pianist (in real life), throws a special party at his house, little do the guests know that one of them will never leave the house alive... No one can predict the secret Tater reveals to Chris, the boy he has feelings for...

A documentary about Mayhem's music that is primarily made up of interviews with Kjetil Manheim and Necrobutcher. It premiered in 2004 at the Oslo Film Festival and was later released on VHS. Some footage was reused in the 2008 documentary Pure Fucking Mayhem.

Thirty-six years after MOUSE, YOU ARE HAPPY TODAY Rosier visits the same city and couple to see how everything has evolved.

16mm film (black and white, silent)

A film shot with super-8 using various distortion lenses in front of the camera; partly in real-time, partly animation. The footage has been treated with coloured inks and bleach and features a specially composed electronic music soundtrack.

A road movie: roaming, tiredness, meetings...

A silent nocturnal voyage to the Southside of London exposed 36 times onto one roll of film. Navigating by urban constellations the frame clings to the familiar. It is an unedited study of repetition, an act of faith and a souvenir of my journey home.