All Films

Dear Abu is a deeply personal exploration of love, loss, and the complexity of familial bonds. Based on a true story, it follows a daughter who, on the 12th anniversary of her father’s death, finds herself burdened by years of unspoken grief. Urged by her mother to write letters to him, she embarks on a reluctant journey to confront what was left unsaid. What begins as an act of remembrance transforms into a quiet path of healing, rediscovery, and the reclamation of a love that time had buried. Dear Abu is a tender portrait of generational bonds, emotional survival, and the unspoken connections that shape us.

DECARB tells the story from the Finnish clean tech entrepreneur Matti Malkamäki about splitting methane (natural gas) into clean hydrogen and solid carbon. When he heard about the discovery how to do that, he decides to act upon it and build a factory in northern Finland. Dreaming about the idea to use the global energy system that we are depended on, but remove the emissions from it ... that would be a game changer and a chance to change the energy systems worldwide.

A former chef becomes an actress after a life-altering accident, as her physicist husband’s ideas about quantum reality begin transforming her destiny. Full episodes (UNLISTED): https://www.youtube.com/playlist?list=PLKrc7xQlLlJ98ew9A8JsmRBZpe4p7Iq5t

What would happen if a visibly drunk boy, in front of a club full of people, tried to drive? The video conceived and created for the #sebevononguido social campaign of the Municipality of Monza aims to answer this question, staging a social experiment. The story of Nicolò, an actor who pretends to be drunk, is intertwined with that of Marco, the narrator of the video. The plot is framed by the faces of young people who have been involved, unbeknownst to them, in the social experiment and who have decided to literally put their faces on it. The experiment is accompanied by the testimony of those who, for work, deal daily with the problem of driving while intoxicated. The video was made for Responsibly Young people, a project of the Municipality of Monza which aims to prevent and combat all forms of road accidents linked to alcohol and drug abuse, with particular attention to young people.

Paula wakes up in a luxury hotel after spending the night with a stranger. When she discovers that he has left her money along with a note of thanks, she faces a moral dilemma about whether to accept the payment or preserve her dignity. As she tries to return to the room and realizes the door is locked, she finds support in a waitress, who helps her confront her situation and make the decision that will define her future.

A woman having a sexy night with her new lover receives a phone call from her ex-husband trying to get back together.

“Broccoli Rob Goes Hollywood” is a medley of parodies from some of the classic movies. This short film includes “Rocky”(“Brocky”) “A Few Good Men”,”Goodfellas”(“Brocfellas”) and “My Cousin Vinny”(“My Cousin Broccoli “). All scenes have been rewritten for a comedic twist on these classics. This film stars Broccoli Rob as Brocky, Colonel Broccoli, Broccoli Hill, Broccoli DeVito and Broccoli Gambini along with Kelly Fine. Kelly is an award winning actress and writer for her short film Therapy 101. Her roles in this short parody film are Adrian, Karen Hill, and Ms Mona Lisa Vito (Marisa Tomei role). Kelly plays the part of Ms Vito flawlessly and her comedic timing and mannerisms are a tribute to the academy award winning scene that made Marisa Tomei a household name. Sit back and enjoy this classic twist on the iconic movies as “Broccoli Rob Goes Hollywood”.

On her wedding day, a young woman in a white dress is confronted with fragmented memories and unsettling visions on her way to the church. A strange presence disrupts the ritual and challenges the identity she is expected to become. Between purity and warning signs, reality unravels until a final rupture stains what was white with red. traduire en francais

Witness to a Farce A Surrealist Story in Three Acts Witness to a Farce is a 20-minute film that examines the insidious nature of totalitarian regimes. Drawing on the historical realities of pre- and post-World War II Eastern Europe, it reflects on our contemporary political landscape, where echoes of authoritarianism continue to reappear. The film integrates photography, montage, AI image morphing, and digital painting. By juxtaposing historical resonance, metaphorical layering with a structure that moves from foreboding to distraction to devastation, it evokes the simultaneity of memory—the sense that the past never fully disappears but reemerges in new forms. Stark compositions, brutalist architecture, fog, and shadow convey the psychological toll of surveillance and control. Collaborating with composer Gabriel Chwojnik, the film integrates music, image, and sound into a surreal, cohesive whole. The music oscillates between dissonance and fragile melody, amplifying the visual rhythm and deepening the emotional register. Together, image and sound construct a psychological landscape that hovers between beauty and dread, echoing the tension of our own historical moment. Witness to a Farce is both a reflection on the past and a warning for the present—a meditation on the seductive allure of authoritarianism and its impact on the human soul. It seeks to remind viewers of the necessity of vigilance, empathy, and critical thought in protecting the fragile freedoms that define our shared humanity. The film unfolds in three acts—The Witness, The Farce, and The Awakening—forming an absurdist triptych of obedience, spectacle, and reckoning. In Act 1, we meet a woman working in her kitchen as a military occupation begins. The authoritarian ‘Leader’ gleefully tears up laws, erects a giant statue of himself, and offers a circus to distract the townspeople from the erosion of their freedoms. The woman turns herself into a mime – becoming the silent witness and the keeper of memories. In Act 2, The Farce is a grotesque circus where laughter conceals fear, and performance becomes compliance. By Act 3, The Awakening, all that remains are deserted tents, shell-shocked refugees, and the Leader’s statue dissolving in the rain. The mime and her companion reunite as flowers attempt to grow from the rubble. The narrative, though wordless, captures the cyclical nature of power and disappearance—the rhythm of history repeating itself.

Invoking generations of embodied experiences, …what it feels like gives texture to the trappings of female gender—its material expressions, as well as its silences and solitudes. Without words, the film builds layers of sensory data and visual histories to explore the tensions and legacies we hold within. (CP, 2016, Dance, 4 min., CAN/USA)

Before there was Ryan Gosling as the cool loner in DRIVE, there was Joe Jurd in CARGO, shot on the long, lonely high roads of British Columbia in 2009. More body/less blood. “A powerfully provocative short {dance film} in which choreography and camera become equal partners in expressing an emotionally-charged moment.” – About.com

Late one night, livestream host Riley Wyatt signs on hoping to connect with her audience. But when unsettling messages begin appearing in the chat and strange interruptions disrupt the broadcast, Riley finds herself trapped in an increasingly unnerving conversation with an unseen presence. As the line between reality and the digital world begins to blur, Riley must confront a growing sense of isolation and the possibility that the voice reaching out from the darkness knows more about her than it should. A contained psychological horror film about loneliness, connection, and the desperate need to be heard, Dead Air explores what happens when the silence on the other side of the screen starts talking back.

GENERATION: CURE begins as a run—but quickly becomes something more. Through the story of Chad and the loss that drives him, the film captures how a community rallies around cystic fibrosis, turning grief into momentum. What unfolds is not just a tribute, but the start of something bigger: a call to show up, give back, and help shape what comes next.

Documentary

Set inside a shared home, Still Here follows Millie as she moves through everyday rituals with her husband- laughter, music, and quiet conversation. But as the evening unfolds, subtle cracks begin to appear in the ordinary, revealing that not everything is a it seems.

Luis, an unfortunate forty-year-old who is tired of his friends giving him excuses not to meet up, goes to the office of his psychiatrist, Dr. Vega, desperate to find a solution to his problems... will it be a good idea?

The Rooty Hill Musical Society, in Sydney's west, is struggling. So when their costume designer dies, they use her inheritance to hire a director from the actual Broadway. It's just a shame that Dolores is the not director they wanted, or needed.

To Let is a British 1985 period piece set within a Phone box. Julian is a member of the Men in Suits, a group of greedy government officials who are forcefully taking ordinary families from their homes to bid the homes amongst themselves and increase their wealth. Julian recalls the events to a member who missed a previous bidding war.

In 1951, an enigmatic couple tries to get rid of two detectives who suspect them of being guilty of a buisness man murder.

Tilly lies awake in the blue hours of the night, unable to settle her restless mind. Reaching for her diary, she begins flipping through pages she knows she shouldn’t revisit. Each turn triggers a slip into memory, a flash of a relationship that once felt like possibility but ended in another disappointment. These moments haunt Tilly in her sleepless, loveless night. The images accelerate and blend together, mirroring her spiraling thoughts as an original piano score carries her through the emotional turbulence of swarming memories until the diary is closed. She hasn’t found closure, but she’s perhaps found a way to let the night pass.

Under The Ice follows a woman battling depression and alcoholism who sets out to reclaim her life through an extraordinary challenge: swimming beneath the ice of a frozen lake in Norway. Facing the brutal reality of extreme cold and the weight of her past, the attempt to break a Guinness World Record becomes more than a test of endurance—it becomes a fight for survival, resilience, and redemption.

In a world on the brink of collapse, Amura, a young content creator obsessed with the inexplicable, delves into an investigation of a series of mysterious pills that alter the mind and destiny of those who consume them.

In Canada, the oil companies exploiting the tar sands are causing an ecological disaster. This heavy oil is extracted in surface mines located on territories populated by various Aboriginal nations. This film collects testimonies from Native Americans who attest to the annihilation of their territory.

In 2050, Rose Harland is one of humanity’s last survivors. Twenty-five years earlier, her groundbreaking deep-space probe made contact with an alien race, only for that message to invite annihilation. Wracked with guilt over the billions lost, Rose builds a crude time device to stop the catastrophe at its source. Her journey takes her to 2025, on the night of her younger self’s engagement. Disguised and battle-worn, she confronts the woman she once was, desperate to convince her to cancel the launch. But the younger Rose refuses, unwilling to risk rewriting history and creating an even worse future. Driven to desperation, Rose attempts the unthinkable, only to survive her own actions, sparking a chilling realization about time’s refusal to bend. Determined to go further, she travels back to 2010, to the night of her tenth birthday and her mother’s final days. In the quiet intimacy of the backyard, mother and daughter, decades apart, share a deeply human reckoning on loss, regret, and the meaning of legacy. Faced with a final choice, Rose must decide whether to erase the very path that made her who she is, or accept that some ghosts cannot be outrun. Blending intimate family drama with high-concept time travel, Til We’re Ghosts is a haunting meditation on grief, destiny, and the price of rewriting the past.