All Films

Behind-the-scenes documentary with Lamb of God, includes interviews with band members and never before seen performance footage.

There's a bad mood rising against the corporate brands. No Logo is the warning on the label. In the last decade, No Logo has become a cultural manifesto for the critics of unfettered capitalism worldwide. As the world faces a second economic depression, No Logo's analysis of our corporate and branded world is as timely and powerful as ever. Equal parts cultural analysis, political manifesto, mall-rat memoir, and journalistic exposé, No Logo is the first book to put the new resistance into pop-historical and clear economic perspective. It tells a story of rebellion and self-determination in the face of our new branded world.

Joseph and a pregnant Mary travel to Bethlehem for the census and stay in a stable where they prepare for the birth of Christ. Meanwhile, the bugs ride along with Mary and Joseph to search for a new place but find the stable already occupied. They continue their search and eventually wind up back at the stable where they discover the significance of the new baby.

Documentary about Dead & Buried.

The story takes place in warrior kingdom where a deadly martial art called Shadow Skill is practiced to defend the continued existence of the kingdom. Dreaming of becoming an invincible warrior one day, like the legendary warrior named Scar Face who has defeated 2,000 opponents, the boy named Cau Ban trains hard with his older adopted sister Elle who has mastered Shadow Skill. A deadly combat breaks out when a rouge pack of intruders suddenly assaults the castle to steal a box that contains a secret...

Clement, a shy and repressed young man is living on a Caribbean island. Working on the beach, he serves refreshments to the tourists basking in the sun. His shyness and his lack of insurance with girls push him to consult a marabout ...

In this remarkable documentary, Noam Chomsky offers a riveting but devastating critique of America's current war on terror arguing, in fact, that it is a logistical impossibility for such a war to be taking place. Professor Chomsky presents his reasoning with astonishing and refreshing clarity, drawing from a wealth of historical knowledge and analysis. "Only those who are entirely ignorant of modern history will be surprised by the course of events, or by the justifications that are provided..."

Keff McCulloch was surrounded by music during his childhood, with both his mother and father having careers in the music business. It was almost pre-ordained for him to follow in his parent’s footsteps… Working with groups around the south coast of England finally resulted in Keff joining Pickity Witch and later The Climax Blues Band and a successful career as a musician. So how did this lead to writing the updated theme music for Doctor Who and incidental music for stories in all three Sylvester McCoy seasons? All this and much more is revealed in this latest Myth Makers hosted by Nicholas Briggs and shot on location in Australia and the UK. In a frank and honest interview, Keff discusses the criticism levelled at him by some fans and shows the humour that carried him through the incredibly pressurised work schedule set him by the Doctor Who production office.

Hailing from one of America’s most renowned and successful bands, Fleetwood Mac, Lindsey Buckingham embarked on a productive and storied solo career that continues to evolve 18 years after his departure from the band. Reuniting in 2003 with Fleetwood Mac, Buckingham and his former cohorts released Say You Will and embarked on a worldwide tour. With this Soundstage appearance, Buckingham’s performance spans the various eras of his career. Whether performing Rumours hits “Red Rover” and “Peacekeeper” from Say You Will, or 1981’s Law and Order single “Trouble” and the title song from Go Insane, As an added bonus, the alluring Stevie Nicks joins Buckingham during the set, providing an intimate view of the chemistry that once propelled their former band to the top of the charts. Though their once tumultuous relationship was a topic that reached near-epic proportions, this reunion eclipses the controversy, placing all emotion back into the songs that defined them.

Filmed at the Thwaites Empire Theatre, Blackburn. Jim's stand-up is a rollercoaster of side-splitting gags and riotous tales.

Ji-su, who was returning home late at night, witnesses a hit-and-run traffic accident. There are a young woman and of Jisoo's age and a child in the street.

Experimental work by Isao Yamada (Color, 16mm).

Peter Bogdanovich recalls how Tatum O'Neal was chosen to play Addie, and discusses Alvin Sargent's script, the shooting of select sequences in Kansas, the title of the film (which was enthusiastically endorsed by Orson Welles), etc. Also included are comments from production designer Polly Platt and associate producer Frank Marshall.

In ‘Love’, the subtleties of first desires to climactic scenes of impassioned dialogue and action, to betrayal, disgust and violence that have played out over the history of film are ripped from original contexts and edited into a repetitive staccato rush, regurgitating, for our entertainment, horror and critique, the stereotypical, hyperbolic trajectory of (heterosexual) love. Through this process Moffatt unites the graphic punch and suggestiveness of the still image with the satisfaction of a complete movie narrative. In the end, its only a movie. ‘Love’ embodies Moffatt’s desire to create work that has an ‘international look’ and deal with ‘universal predicaments’. 'Love' is both parody and pastiche, critical comment, and wryly humorous.

Making of Russian Ark, with on camera personal views by members of the cast and crew of the major film.

Amsterdam-based photographer and video artist Fiona Tan (born 1966) has been a central figure on the contemporary art scene since the 1990s. In her video News from the Near Future (2003) a collage of historic film and audio material tells of man’s ambivalent relationship with water as a force of nature. Drawing on the archives of the Amsterdam Film Museum, Tan composed a narrative crescendo starting off with idyllic impressions of the watery world and building to increasingly menacing scenarios of an unleashed nature. Images of floods and churning seas, of wild winds and storms, parade before our eyes the destructive force of water. Tragedies at sea are reported in the style of old newsreels or radio shows, segueing into pictures of flooded cities that – as indicated in the work’s title – forebode future catastrophes. The cinematic repertoire of waves, tides and floods acts as an historical memory, presenting the sea as a metaphor for the flow of time.

Reunion of the cast of the miniseries.

The journey of a someone in search of his roots. He is pursued by his childhood self who has already written his own future, and foretells the amnesia which will doom this traveling. Here is a life made of pictures, an allegory and reflection of life inside ‘the society of the spectacle.’

Elliott Smith's final concert at Redfest, at the University of Utah in Salt Lake City on September 19, 2003. Just a month later, on October 21, 2003, Smith passed away. Smith's final concert was described by some as upbeat and even happy. One attendee noted he seemed comfortable, happy, sober, well-rested, and smiley.

Violeta shares an unusual resemblance to actress Dolores Fonzi. Her friends remind her to such a great extent that their physical likeness ends up becoming a nightmare...

Mirai Mizue set up a camera over a water tray with an illuminated white background (presumably an animation table) and experimented with the flow of aqueous ink over the surface of the water using stop motion animation techniques.

A young woman obsessed with her body goes to brutal lengths to fit into her favourite dress.