All Films

Loon Dreaming opens with loons gracefully riding the waves. Then suddenly we see the world through the eyes of one of these spectacular birds. We dive down deep into the waters in pursuit of fish, launch skyward from the water and fly high over the busy highways and sprawling subdivisions that scar the natural world--before gently splashing down on a secluded lake. The artistry of Iriz Pääbo and her creative use of digital technology are a magical mix! A forest transforms into an explosion of colour, the passion of loons becomes palpable, and their hunting call resonates. A film without words.

Experimental short film by Jean-Claude Bustros

The documentary focuses on the plight of the bilby, a small big eared, long nosed unusual creature of the Australian outback that has been marginalised by rabbits, feral predators and humans. But there are two humans that put the bilby first and have gone on to capture the imagination of their local community, politicians, government bureaucrat and the wider population because they have single handedly turned the tables on an almost extinct species. Candy company Darrell Lea contributes a percentage of sales to Save the Bilby Fund, ($185,000AU to date) and the sanctuary has been built thanks to the chocolate eating Australian public and The Bilby Brothers, who have spent practically every waking moment of the past decade working to save this little oddball from extinction. Their work is a phenominal example of how one person CAN make a difference.

Starring Bruce Conner, a belly dancer, a geiger counter, and a toxic waste dump.

In a small provincial town, three children play football but when they hear breaking glass, two of them flee; leaving a little girl to investigate. She finds that she has broken a fish bowl and a small fish is flapping on the ground gasping for its life. What will the girl do to save this poor creature?

Super 8 blow up to 16mm, optically slowed and stretch printed on Kodak 7272 - leaves of a plum tree in the the wind hand held full zoom to macro, Summer '99 at Dickins Farm near Sutton. S. Yorkshire, with simple 3:2 repeat phrases from Bartok's Mikrokosmos like a round played on Dad's old piano as roughly and imperfectly as the print - re-filmed off the wall on obsolete DV Cam

Jellyfish Lake is a film by Dorothy Cross resulting from investigations into the biomechanics of Chironex fleckeri, the jellyfish. Filmed in an isolated lake, estimated to be 12,000 years old, in Palau, Micronesia, millions of golden jellyfish migrate across the lake daily.

Brainy Baby is university studied and winner of over 77 Awards. Interactive Infant Early Learning DVD features live action and real children while using familiar objects to help make fast learning connections. DVD enhances Left Brain development exposing children to Classical Music, Gentle Voices while exploring Logic, Patterns, Letters and Numbers, Sequencing, Analyzing details and more.

The first installment in the multi-part Whispering Pines series, this unsettling video introduces Cynthia, the series' silent, somewhat confused protagonist, who is played by Moulton. In these wryly humorous narratives, Cynthia's interactions with her everyday world mix the mundane and the surreal. A portrait of anxiety set in a generic supermarket, Whispering Pines 1 foregrounds the artist's ongoing concerns with the ways in which people are at once estranged from and invested in consumer goods.

Experiment in abstraction through the discovery of bodies and of the senses: six moments in a story of a meeting. The story of two (or three) bodies. Stigmas, decompression, red. Black. Several days. Several short stories. Green. Yellow. Abstract pornography. This movie is the first movie completely based on psychovisual compressions. The film is the story of the relationships between forms and the image in which they are registered. It is a story of meetings. It is a sulphurous story. This movie has something of a pornographic character. It focuses on the act itself.

As the first character to appear – the Mother – enters a square, gold-walled room, she blends so perfectly into the background that all perspective is lost. The visual order is disarticulated by the reflection of the gold to such an extent that even the woman skin loses its “hold” on solidity.

The spirit of poets permeates the space/time occupied by an assortment of dinner engagements that occasionally erupt into physical or verbal assaults on the taste buds. Flowers of evil are absent from this foray into the spoken word, as the message is one of courage in the face of carnivorous tendencies. An archivist shares his dream with us while the dreamers dabble in their own brand of munchies meant to nourish rather than negate. Mortality hovers over the hovels of the hungry as poetry becomes as concrete as the pastry offered we mortals on planet Earth.

After much hard work and self-sacrifice, Indian and Cowboy pass their school exams with flying colors. To reward them for their efforts, Horse buys them VIP passes for the Annual Agricultural Fair – but when he leaves the living room to go get them, he slips on a skateboard that had been left lying around and comes crashing down on his head. When Horse wakes up in the hospital, he’s suffering from amnesia and has no idea where he hid the tickets. So begins a race against time for Indian and Cowboy who must get hold of the precious passes before it’s too late…

Directed by Raymond Salvatore Harmon

"This is a personal tape about history, boredom and super-8 film. A lone boy lurking in the grassy knoll plays himself in a day to day anti-drama. The same boy takes on the un-romantic role of a well-known political figure. It is judicious to assume that in this instance, somewhere between speculation and depression lies the truth. This piece features by Prefuse 73, Autopoieses and Stars of the Lid."

When we are in the dark, we can see only the sign of the space. The moment the light comes into the room, we can see another space. This space is the incorporated like smoke construction that is composed of the dark, light and time.

"Art Jones commissioned this piece for a show called “Word” which opens at Diverse Works in Houston this April. Each participant was asked to choose a particular article or essay in order to generate a visual/audio/virtual response. The work produced is a conversation between an artist and a writer. For Skin Job, I chose to respond to various articles contemporary theorist, Laura Kipnis has written about pornography. I am interested in the similarities between how she writes about sexualized female bodies and how many other contemporary writers address technology. We fetishize flesh in the same way that we fetishize machines. The text in the piece is an original haiku which suggests that the heroine is man-made—an android. She is a bionic woman with an unlikely sense of loneliness, sexuality and desire. She seems observed and disoriented in her empty, future space. This piece contemplates a virtual identity as it influences a sense of contemporary utopia. (...)"

People dance in private moments of personal abandon across London in the summer of 2001. The film is the result of the director’s work with the first ten respondents to a local newspaper advertisement that she placed seeking ‘living-room dancers’ – people who love to dance behind closed doors.

Between dream and nightmare, The Delmarva Chicken of Tomorrow is a traversal of here and elsewhere, first and third world; a fairytale of production, resources, capitalism, globalisation , refuse and refusal: The Delmarva Chicken of Tomorrow is a film not about the struggle to be seen, but about the struggle to see.

In a somber room, there's a flower at a far window. A hidden movement in this video transforms with the course of time into turns and reverses of the inside and the outside of the room, day and night or light and darkness. However, the flower, the pivot of the movement, collapses its own exsistance as one could hardly tell even the color. Here we loose the core we rely on.

"A film that I'd made in New York at the end, it was four years ago and super snowing there, I showed the movie and left the US the next day" (Stom Sogo)

After the death of his girlfriend, the painter lost all his inspiration; he then starts to be pressured by the owner of the gallery. Living constantly with images of his girlfriend, the painter feels hes going crazy, he hears her voice and at the same time he sees her representation in a screen, in the last painting he did.

A poetic essay on the ramifications of the foot-and-mouth-disease in Great Britain in 2001