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Dreyer's Zitat

Dreyer's Zitat

2002 • 8 min • Austria
A small, cheerful homage to one of Friedl vom Gröller's favorite directors – Carl Theodor Dreyer – or perhaps a game of telephone with acquaintances. (Dietmar Schwärzler)
I Am Dreaming About a Reality

I Am Dreaming About a Reality

2002 • 4 min
A constellation-like video project emerging from No Ghost Just a Shell, this work repositions the digital character Annlee as an unstable subject caught between authors, images, and borrowed narratives. Rather than offering a single viewpoint, the piece multiplies perspectives: Annlee becomes a vessel through which different artists test the limits of agency, voice, and representation in the age of licensed avatars. I Am Dreaming About a Reality? examines what happens when a character is freed from commercial authorship yet remains bound to the expectations projected onto her—an experiment in identity that hovers between animation, conceptual art, and philosophical inquiry.
Witness Screen

Witness Screen

2002 • 5 min
In Witness Screen, Annlee, a virtual entity shaped by contemporary artists, becomes a fragile witness to her own constructed existence, blurring the line between observation and identity.
Resurrection of the Daleks: On Location

Resurrection of the Daleks: On Location

2002 • 19 min • United Kingdom
Director Matthew Robinson, Producer John Nathan-Turner and Writer/Script Editor Eric Saward return to the location of the story - Shad Thames in London - to talk through their memories and recollections of the making of this story. Sadly, John Nathan-Turner died six weeks after recording this, his last on-screen interview.
Penelope

Penelope

2002 • 37 min
Film by Eduard Shelganov. 16-mm.
You Gotta See This! Too Sick for TV!

You Gotta See This! Too Sick for TV!

2002 • 40 min
YOU GOTTA SEE THIS! is a compilation of twisted human behaviour, featuring topless wrestling, horrible car crashes, and various serious injuries. This is 'harsh reality TV', not for the squeamish. Limbs Torn off, naked skydiving, gored and stomped by bulls, topless wrestling, insane falls, hand-to-hand violence, horrific crashes, snapped limbs, topless boxing and for the first time in the UK... the insanity of backyard wrestling!
National Geographic: Through the Lens

National Geographic: Through the Lens

2002 • 47 min
National Geographic holds court in the pantheon of magazine journalism for many reasons, the biggest of which is its breathtaking photography. But what makes a picture perfect? What goes into its creation? By taking ten stills and examining the work that goes on behind the lens, this documentary lets you into the world of professional photography and shows you the glamour, grit and guts that go into capturing some of history's best moments.
Pearl Jam: Riot Act - Live At Chop Suey

Pearl Jam: Riot Act - Live At Chop Suey

2002 • 18 min
Live footage of Pearl Jam performing three tracks off of Riot Act. Filmed at the Chop Suey Club, Seattle, WA on September 6, 2002. Distributed as a promotional gift along with first Riot Act copies.
My Terrorist

My Terrorist

2002 • 58 min
Fahad Mihyi, a member of the Popular Front for the Liberation of Palestine and Yulie Cohen, a sixth-generation Israeli, first met in August 1978, when Mihyi pointed a machine gun at the El Al flight attendant in a terrorist attack. Twenty-three years later, in an effort to help break the cycle of violence, Yulie considers writing a letter in support of Mihyi's parole, thus thrusting herself into the turbulent world of Middle East politics. Winner of a Special Jury Prize at the Jerusalem International Film Festival, and nominated for the Silver Wolf award at the Amsterdam International Documentary Film Festival, My Terrorist asks hard questions about the meaning of forgiveness and hate, the inevitability of violence and, just possibly, about the chance of reconciliation between Palestinians and Israelis.
Between Resistance and Community: The Long Island Do It Yourself Punk Scene

Between Resistance and Community: The Long Island Do It Yourself Punk Scene

2002 • 43 min • United States of America
A strong time capsule about Long Island as a cornerstone and building block of DIY punk.
Alpha Blondy: Chiemse Reggae Summer

Alpha Blondy: Chiemse Reggae Summer

2002 • 44 min
Alpha Blondy live at the Chiemsee Reggae Summer 2002 festival.
Secret History of the Dividing Line

Secret History of the Dividing Line

2002 • 20 min • United States of America
Paired texts as dueling histories; a journey imagined and remembered; 57 mileage markers produce an equal number of prospects. The latest in a series of films about the division of landscapes, objects, people, ideas and the Byrd family of Virginia during the early 18th century. —David Gatten
Yo! A Romantic Comedy

Yo! A Romantic Comedy

2002 • 12 min • United States of America
In Yo! A Romantic Comedy, Trecartin borrows clichés from hip-hop culture and genre films to craft a dark, dream-like narrative that veers from comic melodrama to goth fantasy. Applying his signature digital editing and delirious sound processing to remarkable effect, Trecartin creates an alternative narrative universe that suggests a kind of psychodramatic hyper-reality.
Punk Rawk: Taking Back the Airwaves

Punk Rawk: Taking Back the Airwaves

2002 • 55 min
This rowdy collection of music videos, interviews and more from emo and pop-punk supergroups like AFI, Pennywise and Thursday proves that in-your-face rock 'n' roll is alive and kicking. Songs include "Feel the Pain" by Stinkaholic, "All That You Wanted" by Hangnail, "God Save Us" by Ill Niño, "The Kind That Could" by Rod Laver, "Falling for You" by Student Rick, "Third Season" by AFI, "Termites Hollow" by Grade and more.
Snipers

Snipers

2002 • 50 min
The story of the sniping war as it developed during World War II, throughout the various theatres of war. At the outset of war sniping was not considered relevant to modern warfare, but its importance was gradually realised by all the major combatants. This programme covers the development of different weapons and techniques adopted by the German, Russian, British, US and Japanese armies. Furthermore it covers the psychology of the sniper and his association with regular soildiers. The sniper was and remains to this day, a contradictory figure, respected as a skilled professional, hated as an assassin.
Peter Tosh - Captured Live

Peter Tosh - Captured Live

2002 • 60 min
Ascension

Ascension

2002 • 2 min
Ascension begins by superimposing paintings that look like clouds over extremely close views of mottled paint, peculiarly intimate in their three-dimensionality. Juxtaposing images of transcendence with representations of what he liked to call the "mess" of life, Brakhage distances himself from both.
Panels for the Walls of Heaven

Panels for the Walls of Heaven

2002 • 31 min • United States of America
The last of Brakhage's longer works. Part of the "Vancouver Island" films. "Purple flashes are followed by a curtain of purple and blues, first seemingly static and then in motion. Close-ups of textures of paint evolve into flashes of jewel-like red, then more cascading blues and purples and white - 'falling,' seemingly, down from the top of the screen, at other times multi-directional bursts of rolling colors. Red, blue and yellow course through in an up-down motion, then blues and yellows enter from left and right in a complex medley of not solidly formed, but very vibrant pulsations of color, at times only slightly hinting at a solidity of "wallness" upon which the paint might exist. But it is a "wall" suffused with light." - Marilyn Brakhage
Resurrectus Est

Resurrectus Est

2002 • 8 min
Resurrectus Est is a hand painted film which suggests, from the first, a spread of fragments of plants and flowers, individual petals and bits of twig with multiple colors, with much green "leafiness". This gives way to solid yellows and browns of, or suggesting, dried grass and earth (the decay, as it were, of the above mentioned fragments); but then again, and so spaced with clear light whites as to appear airy, wind-blown, somesuch, miniscule fragments of plant life, gradually enlarging to fill-the-frame. Amidst the many floral and earthen tones, there is a particular ethereal pale, almost phosphorescent, blue which so dominates the scenes of its appearance as to cause the darker earthen yellows to lighten into a mixture with the blue that suggest abstract Easter: these tones finally take over to such an extent that the flower-fragments can no longer be seen clearly as such.
Scream Tone

Scream Tone

2002 • 3 min • United States of America
This is a direct animation made by applying Letraset half-tone films onto 16mm film. The sound is made by the image as read on the optical track. There is both a positive and negative version of the film; the sound reads differently in each version.
Coletivo

Coletivo

2002 • 3 min • Brazil
3’00” | DV | Colour | 2002 | Brazil Screening Format: DV Filming Format: Super 8 Directed, Photographed and edited by: Cao Guimarães Collective of people, streets, neighborhoods, names, of buses that lead people through the streets of neighborhoods named after people.
The Tick and the Bird

The Tick and the Bird

2002 • 51 min
Once upon a time there was a tick. A female tick that lived buried deep in the feathers of a Laysan Albatross. Together, they travelled across the sprawling north of the Pacific Ocean, between the Hawaiian and the Aleutian Island.
The Real Death Star

The Real Death Star

2002 • 48 min
This documentary examines theories behind the creation of gamma ray bursts, destructive explosions in space that can wipe out entire star systems.
Past Perfect

Past Perfect

2002 • 38 min
“Past Perfect” is a spirited meditation on the elusiveness and inaccessibility of (Jewish) history as conveyed through sightseeing tours of “Jewish” Poland, a grandmother’s recollection of life in America during War II, and memoir-like “last moments” of a great aunt believed to have died in Treblinka. Shot almost entirely in contemporary Poland, “Past Perfect” lyrically portrays the relentless yet ultimately futile attempt to resuscitate a history literally gone up in smoke.