All Films

The Mystery Machine is stuck in Nowhere, leading the gang to seek help from Courage and his family.

Documentary charting the rise and fall of the pop group synonymous with 1980s glamour. Hits featured include Girls on Film, Rio and Hungry Like the Wolf.

Light's, camera, and a whole lotta action. Playboy brings you home videos of real-life girls next door. Discovered in our nationwide search, these heartbreakers are willing to do anything for their 15 minutes of fame. The competition was fierce but our resident experts, Hoyt and Frank of Playboy TV's Sexcetera, reviewed the performances of hundreds of anxious amateurs and chose these lucky gals to win a starring role in a Playboy video. And now we're bringing their video debuts straight to you. Meet Roxanne, a Texas girl who likes Rock-a-Billy roadhouse blues and skinny-dipping. Say mahalo to Genevieve, an Asian beauty born in Hawaii who bares it all for our benefit, but 9 to 5 works as a swimsuit and lingerie model. Then Savannah turns up the heat in Arizona and shows us a few things about gardening in the buff. These homegrown beauties are fresh, enthusiastic and eager to please. You won't believe your eyes when you see how they turn it on when the camera starts to roll.

Now working freelance with his own production company, Mat Irvine’s career began with BBCtv News at Alexandra Palace and progressed to the Visual Effects Department in West London, where he worked on such classic science fiction programmes as Doctor Who and Blake’s 7. But as Mat will tell you, science fiction is only one area visual effects are required for – factual, light entertainment and comedy programmes were the bread and butter of the department. Over the years Mat has amassed a diverse collection and, in this treasure trove of a Myth Makers, we get to see what’s in his attic!

From 1999 to 2000, filmmaker Caveh Zahedi corresponded in a series of video-letters with his friend Thomas Logoreci.

A look at the making of the Gladiator (2000) and the historical aspects presented within the film. Interviews with cast, crew and historical professors tell us a little bit more about certain locations and characters than what was in the movie.

Documentary on the French phenomenon in celebration of a reboot of the series.

A look inside the making of 'The Talented Mr. Ripley'.

A television special featuring a concert held at Walt Disney World in Orlando, Florida, hosted by singer Christina Aguilera.

What happens to the small historic town of Stirling, Scotland when R.E.M. decide to play three shows at its castle.

La Vida Low exploring the lives and culture of California's lowriding industry.

The movie tells the story of the successful uprising of the indigenous peoples of Bougainville Island against the Papua New Guinea army and the mining plans of the mining corporation Rio Tinto Zinc (RTZ) to exploit their natural resources. The documentary reveals how the Bougainville Revolutionary Army (BRA) managed to overcome the marine blockade strategy used by the Papuan army by using coconut oil as fuel for their vehicles.

Tina Krause, who’s a teacher or something, leads Misty Mundae and Ruby LaRocca into their new flat, which looks like a house outside and like a basement inside. She gives them very strict rules : no smoking of any kind, no homosexual activity, well, everything that any good teacher would ask of her students in real life. Of course, as soon as she leaves, Misty and Ruby smoke a joint then proceed to make out on the bed. But, you see, Tina just pretended she left. So, after watching them for a while, she bursts on the scene and, in order to teach them the errors of their ways, forces them to disrobe then to take a bath and make out some more while she watches again.

After their culture was destroyed in 146 BC, the Phoenicians were forever marred as monsters. But were they truly evil, or victims of propaganda?

Chain Reaction is a kind of independent thinking itself. Since everyone has his or her own experience and values, I call the world of Chain Reaction “a view of schizophrenia”. Most of the images of the video surpass, as well as imitate daily life experience absurdly. The film is to analyze and oppose evil by the way of using the power of evil inside human nature. Chain Reaction is an allegory of evil but without the function of salvation like the other allegories.

Three "swampires" (backwoods witches) feed wayward travelers to their "master" who lives in the bottom of a quicksand bog, which also helps to replenish their own lives. Things are going smoothly until one of the witches gets power hungry.

Professional photographers and UFO video hunters capture extraordinary objects in the skies around the world

When an HIV positive man phones the local help line, he gets less than he bargained for. After being put on hold, being transferred and being Dis'd, he loses more than a few T-Cells.

"Frank Gehry: An Architecture of Joy" illustrates the unique intertwining of art and architecture throughout Gehry's spectacularly eclectic career. In this portrait, Gehry explores his work of the 1990's including The Guggenheim Museum in Bilbao and the Frederick R. Weisman Museum in Minneapolis, as well as his first European commission, the EMR Communication and Technology Center in Bad Oeynhausen, Germany. Seeing himself as an artist first, Gehry discusses his early relationships in the art world and how sculpture, painting and small scale work has influenced his architectural style. Like Rauschenberg, Johns, and Warhol, he has introduced "bad taste" into his concepts, while keeping himself outside of the contemporary dialogue between modernism and post-modernism. He has translated the vocabulary of contemporary art into an architectural language of his own, disobeying the rules of his profession and questioning its historic conventions.

ROMA is a hastily drawn together documentary/essay on Rome, drawn from a large amount of material collected over two or three years, and put together in haste for an Italian television commission. The material had all been done for myself, but this particular collection of material was drawn together under a deadline and time limitation set by others. As such I feel it is only partly my own expression, done under the gun for other interests, and to make some needed money. As such this work is compromised - while clearly my own in vision, it is not what I would really do with the material, to which I hope sometime to return. But in the meantime it provides a glimpse of Rome - its deep history, its opulent arts, and its sprawling contemporary urban reality.

This film documents the transformation of a derelict fire station into studio and living spaces for artists. The opening of the restored building is celebrated in performances and installations by its new occupants. In common with Raban’s films that reflect upon different aspects of the changing face of London’s East End, this tightly structured film-poem confronts the present with the past: the building’s war-time role is recalled in archival images, and by women who served in it as Auxiliary Fire Service officers.

Director Benjamin Morgan takes a hard look at his own life while trying to write and direct a fairytale gay romance.

Jeff Keen's final film pushes his conflation of personal history and war even further than before.