All Films

Tokyo

1999 • 6 min

Short animated film by Tomoyasu Murata.

Kolobok

1999 • 4 min • Russia

A fairy tale for kids about how Kolobok left his grandparents.

Buddies

1999 • 2 min • United States of America

A CGI Cactus Short

The Tree with the Golden Apples

1999 • 13 min • Netherlands, Russia, United Kingdom

The old miller was going to marry his only daughter, the beautiful Marika. Grooms are good as a selection, but how to choose the most worthy of them? And then the old man came up with a task for them: to bring a golden apple from a distant island located at the other end of a huge lake. Whoever copes with the assignment will become Marika's husband. The grooms raced to get an apple, but it turned out that not everyone was allowed to approach the magic apple tree. Only a person with a pure soul and a kind heart will be able to pluck the cherished fruit.

Bob The Gorehound

1999 • 27 min • Germany

A maniac kills people in very brutal ways while wearing masks from various horror films.

A Maestrina Chiquinha Gonzaga

1999 • 49 min • Brazil

Documentary about the life of one of the greatest composers in the history of Brazilian music. Pianist, composer and conductor, Chiquinha Gonzaga was ahead of her time and revolutionized the customs of a sexist society.

Women

1999 • 5 min

This experimental animated film was created using ink-and-wash painting techniques. Through the transformation of the Chinese characters for "woman" and "child," it depicts the contradictions and struggles of cultural conditioning faced by ethnic Chinese women in the process of developing gender awareness.

The Fertile Blood of A Servant

1999 • 5 min • Italy

Ditiyo Jon

1999 • 43 min • Bangladesh

The plot revolves around a disabled person and his wife who is scared of him.

Cigar

1999 • 7 min

The opening scene in Cigar invites us into an air-conditioned office somewhere in the world. With all the delicate and smooth gestures of a connoisseur, a middle-aged man in a suit takes an expensive cigar out of a long, silver holder in a black leather case. Using the small guillotine of a cigar cutter, he carefully prepares it to be enjoyed. He gives it to his visitor and helps him light it. Their hands touch each other gently, the cigar is lit. With a nearly obscene concentrated enjoyment, the visitor smokes away in a sofa while the other man looks at him intensely. Despite the fact that the men in Annika Larsson’s works in many ways are caricatures of the typical Western male as a symbol of power, it would be wrong to say that she examines or critiques male power. It is more the peculiar erotic tension in apparently banal tasks that is important here.

Inflated

1999 • 12 min

A Blow-up Doll Comedy

Do Flowers Fly

1999 • 5 min

Examining the Indian educations system in a short animated documentary.

Zombie Spoof

1999 • 55 min • United States of America

A new type of radio waves have been created and are causing the dead to arise from their graves! A great comedy filled, dumb jokes, spoofs, adventure, special effects, creep zombies, stupid zombies, and a lot of curious anticipation. Just sit back and enjoy this creep show spoof. The Missoula Independent says, "His latest offering has all the signs of a homespun classic."

Legend of the Stilt House

1999 • 10 min • Vietnam

The two brothers saved the divine turtle and were helped by the divine turtle. With their intelligence and ingenuity, they learned how to build a stilt house to protect themselves.

Vienna Suite

1999 • 20 min

During a stay in Vienna, Hafif was stuck by store window mannequins, which fascinated her with their highly artificial quality. The discovery inspired her to create a series of photographs of the figures. Standing in the street, the artist captured them in their ‘natural habitat,’ which is to say, behind a pane of glass. Folding the surrounding scene into the pictures, the reflections in the windows refract our gaze at the figures. On a semiotic level, urban architecture and the female body blend into each other. To expand this photographic series into the film Vienna Suite, Hafif resorted to a very basic device: she recorded the photographs with a static video camera and edited the footage to produce a sequence of ‘scenes.’

Letters to J-C #10 (Broadway) (1991-1999)

1999 • 20 min

This film tells us the story of a long walk through Manhattan. Hafif has been walking aimlessly throughout the island for a long time when she realizes that a woman appears to be following her. And so we visit the streets of Manhattan while she provides a detailed explanation of the route.

Hey

1999 • 1 min

Legs. Torso. A whole house shaking...

…from Bulgakov

1999 • 29 min • Ukraine

Woland from Mikhail Bulgakov’s The Master and Margarita, the guide at the Bulgakov Museum, little Mikhail on his own, and his nanny, united in a single narrative in this experimental documentary inspired by the biography of the writer. To approach this mysterious oeuvre the film combines the uncombinable. Re-enactments at Bulgakov’s house in the Podil neighbourhood are met with excerpts from films by Griffith, Lubitsch and Duvivier. The heady mix of storytelling techniques makes this film a hypnotising dream, confounding like the work of the writer himself.

Body Contours

1999 • 6 min

Make movies in your mind, feel the soundtrack, and drift away from your body for the win. Trauma overloads the brain’s signal. Meaning becomes a sensation outside of the reach of language and logic. Brain signals jam and loop. Produced through a Signal Culture artist residency, using educational films.

I'm a Pilot Like You

1999 • 39 min • United States of America

I'M A PILOT LIKE YOU was shot July, 1999 inside and outside 20 North Moore Street where John and Carolyn Kennedy lived. Ruth Hardinger, a sculptor, is a 1st floor resident in this building and was unwittingly trapped by the media frenzy and the public attention that unfolded on the sidewalk in front of the building after the Kennedy plane crashed off Martha's Vineyard. Bill Brand, a nearby neighbor and experimental filmmaker, collaborated to make a video that gives a unique view from inside the building, looking back at the spectacle created by the public and the media. It shows what it felt like to be on the other side of the story.

Confluence

1999 • 14 min • Egypt, United States of America, Japan, India

A complex editing score is applied to images and sounds gathered by a video camera moving through crowded places: a market in Cairo, a carnival in St. Louis, commuters in Tokyo and a funeral in Benares. The unique edit-form of Confluence weaves these streams of movement together like notes in a musical score. Events are broken loose from their normal flow and organized into autonomous clusters. The result is a transformation of the recorded world, and its projection into a new temporal matrix. The tunnel of time becomes porous; crisscrossed by passageways and escape routes. 14:00 minutes. ". . . an exotic mélange of visual and audio rhythms." - John Columbus, Director, Black Maria Film & Video Festival "In Confluence, McElwee jumps from one location to the next as if merging into an altered state" - TL Reid, Afterimage

Fourth Axis

1999 • 2 min

The Atomium was built for the 1958 Brussels Expo as an emblem of scientific progress. The gigantic monument represents an atomic lattice of iron crystals, magnified one hundred sixty-five billion times. In Fourth Axis, camera moves inside the actual structure cause a virtual nanoskeleton to grow, bringing the Atomium’s three-dimensional elements into a new alignment along an infinite vector.

No Show

1999 • 46 min

“No Show” begins with the premise that a performance has been scheduled, the stage is set with props and costumes, the audience has gathered and is seated and waiting, but the actors are a no show. What might happen when someone from the audience approaches the stage and discovers all that awaits. Masterful mayhem? Perhaps. Imagine one’s first attempt at riding a unicycle, the discovery of theatrical masks, juggling clubs, and a sousaphone. Can one really keep rhythm juggling shakers while playing classical music on harmonica?

De Doble Filo

1999 • 6 min

In the video De Doble Filo, Clemencia Echeverri highlights the intensity of catastrophes brought about by human beings‘ destructive capacity, which is akin to the power of natural forces. However, the momentum of the devastation generated by human groups and individuals assumes increasing proportions and does not seem to follow cycles of alternating construction and destruction. The image of the woman that unceasingly draws house after house, knowing that those will be razed an equal number of times by a rust-colored torrent of water, suggests as well the destruction of the family’s web, of the nucleus of larger communities.