All Films

In order to find such a fittingly inspiring matchmaker, the director visited nearly 10 matchmakers and finally selected the matchmaker in the film. The director then followed the matchmaker and witnessed the vicissitudes of life. In addition to the land, there is no form of art that can describe the heaviness of life and emotion. (Shot August 1995)

Storm Chasers test their courage by capturing on video the fury of some of the most destructive tornadoes that have occurred in the United States.

This was the first film that I collaborated with fellow filmmaker and friend Steve Creson. We each shot a 100ft roll of film and we did not know what each other were shooting. The only thing that our footage had in common was the fact that it was all shot in color and at night. At the time that we did this we were each experimenting with new techniques of our own. This took place on a nice summer evening in July of 1996. This film sparked the beginning of a very prolific partnership. Film score by RUBATO.

Swell is a documentary shot in Santa Cruz, California. Featured are women longboard surfers whose ages span four generations. It is a portrait of a community which shares their best waves, embraces new comers as well as old timers and comes together in a beautiful memorial, to show respect to the one they lost in the water, surfing. Swell is setting the record straight by revealing that women do surf and do it well!

Two young Africans from different social backgrounds want to defy tradition and be free to love each other.

Enid leaves the fairy kingdom in search of an ancient talisman held by a sorcerer.

Short animation by Guttorm Larsen

Multiple pass destruction of Pasolini's Salò o le 120 Giornate di Sodoma. Dedicated to Mark Lapore who encouraged the work.

Created by Anishnabe Videographer Joe Beardy and trainee Darlene Naponse, Aboriginal Radio Waves Part II is the second part of a two part series about community radio. In Aboriginal Radio Waves II, Joe Beardy and Darlene Naponse detail the steps involved in obtaining a station, from procedure of applying for grants, the start up of the station, to radio programming are covered within the video, and respond to community concerns related to funding and autonomy.

Stop motion animation by Andres Mäd. Selected for the 100 year of Norwegian animated film collection

1996年「INCORRECT-S」SPRING & SUMMER FASHION SHOW / 猪鼻秀一　SHUICHI INOHACI INOHANA

3D animation by Ignacio Pardo

Ken-chan wanders around the town chasing a girl who left with a memo of only "Goodbye".

Single-8 film by Tachibana Kaoru / 33min. / silent

30 minutes of Meu Querido turning to the next page

Movie trailer style short film for Dutch Nelson, Galaxy Guy, featuring a reluctant hero who battles an evil galactic despot.

Japanese documentary about the world tour of legendary Korean Pon-chak singer Epaksa.

Short film by Hu Jie Ming.

In this investigative biography of the outspoken and controversial Speaker, correspondent Peter J. Boyer takes an inside look at how Gingrich led the GOP to become the majority party and examines the childhood, people and events that shaped Gingrich's personality and political career.

Coming to grips with landscape via pseudo-hyper-stereoscopy. Your eyes are two-and-a-half inches apart, giving viscerally felt depth to 25 feet. If your eyes were 400 feet apart, you'd see solid forms three miles distant and think your grasp extended a mile. I established pairs of viewpoints up to hundreds of feet apart and jogged between, at each shooting a few frames. Since usual depth perception is only to 25 feet, we see anything in stereo as within that distance; mountains are seen as close and, hence, small. Filming took days and days: time, too, is miniaturized; shadows creep and clouds boil. Experience land as diorama and time as summary. UPPER BLUE LAKE, although not the most successfully pseudo-stereoscopic of several such wide-eyed studies, so enthralled me with its various qualities of light and atmosphere, I persevered, for five years jogging whenever I could, 12,000 feet high in the Colorado Rockies.

William Sheldon's crackpot body typing, based on the superficially convincing fiction of universal endo-, ecto- and mesomorphic components of the human form, gave each person three numbers from 1 to 7, one for each of these three components, interpretable as coordinates of a point in a cubic parameter space. The result of decades of obsessive recording, his Atlas of Men contained standardized pictures of 1200 individuals, obvious animation fodder. Attending to fundamental cinematic concepts of cut, shot and motion, I employed a computer to reduce Sheldon's three dimensions to the one of time. Further programs turned the coordinates of bodily form into notes, giving endomorphy, ectomorphy and mesomorphy each their own voice. Thus each point in Sheldon's parameter space implies a type of human and, by my contrivance, a frame of film and a musical chord.

The Future Sound of London video compilation released by Russian pirates.

Single-channel color video, sound; 30min. loop