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Can't Help Lovin' Dat Man

Can't Help Lovin' Dat Man

1995 • 8 min • United States of America
This short is a romp through the life and times of jazz musician Billy Tipton, who was discovered at his death to be transgender. Silly and sweet, this video explores in pseudo documentary form the notion that Billy’s masquerade was perhaps the best performance of his career.
I Don't Wanna Be a Boy

I Don't Wanna Be a Boy

1995 • 30 min • Netherlands, United States of America
A candid and, at times, harsh look at life as a transgender sex worker in New York's meat market district.
Canvas (Short Version)

Canvas (Short Version)

1995 • 5 min • Japan
A breath of light, a film poem by in-camera editing that is more sensory than experimental.
Storns

Storns

1995 • 6 min • Japan
Growing to Darkness

Growing to Darkness

1995 • 5 min • Canada
Recounting the contradictions of being queer and Asian by actively resisting the predefined notions of gay male desirability.
Miss Chinatown

Miss Chinatown

1995 • 5 min • Canada
Miss Chinatown juxtaposes the views of eight subjects against the background image of a beauty pageant: the Miss Chinese-Vancouver 1996. The subjects are all full or part ethnic Chinese, together they represent a diverse face of the Chinese-Canadian community, they present different perspectives on identity, home, sex and race. The contestants are seen going through the paces in the cheong-san (traditional side slit dress) segment of the live television spectacle.
Losing It

Losing It

1995 • 3 min • Canada
The heady pleasures of new lust and love allow the artist to escape her head momentarily - before trepidation creeps back in. With her usual sensual blend of grainy slow motion imagery and in-your-face sex-talk, Bradley continues her passionate exploration into the nuances and contradictions of lesbian desire.
Migration

Migration

1995 • 17 min
A group of ancient Tibetan nomads live in the Qilian Mountains in western China. Their home is a tent made of yak hair. They change their location with the seasons — to allow their cattle and sheep to eat the best grass, while protecting the vegetation of the pasture. They stick to their traditional beliefs. The women chant scriptures from time to time while turning prayer wheels. In the evening, devout rituals are performed in front of small portraits of the Panchen Lama and the Dalai Lama. During migration, the families help each other pack their belongings and load them onto yaks; they ride horses, sing pastoral songs, and drive cattle and sheep along the ancient nomadic route. This film documents their journey — from the spring to the autumn. It is a spiritual and a practical life: Sheep are exchanged for yaks, wool for tea, fried noodles for money. Every cloud over the mountain has a divine nature; the sun and the moon are the Panchen Lama and the Dalai Lama. (Shot June 1995.)
Gavin Frogboy

Gavin Frogboy

1995 • 10 min
In a small town plagued by mysterious sightings of several large creatures roaming the streets, Gavin, living with his insensitive father; believes he will have more freedom as a frog than a human being. Gavin Frogboy is a story of a neglected boy, his unconventional solutions to his problems and the paranoia of a small town.
Plastic Tear

Plastic Tear

1995 • 6 min • Japan
Experimental short film by Jun Miyazaki.
Strong Culture

Strong Culture

1995 • 6 min • United Kingdom
Short documentary following a new band travelling to Norwich for their fist gig outside London. The singer is a teenage boy from East London and the band combines rap, traditional Indian sounds, ragga and reggae to examine politics, cultural identity and racism.
青い絲

青い絲

1995 • 35 min • Japan
A film by Nobuyuki Yoshida & Masahiko Kobayashi
Ano ang Trabaho ng Nanay Mo?

Ano ang Trabaho ng Nanay Mo?

1995 • 5 min • Philippines
A child's perspective on the most overlooked superhero of the home - mother.
My Father the Guest Worker

My Father the Guest Worker

1995 • 52 min
The Kurdish director Yüksel Yavuz tells in an autobiographical documentary about the life of his father, who worked as a so-called guest worker at a Hamburg shipyard from 1968 to 1984. Never really at home, he only knew the way to work, the fish market and the coffee house. Yavuz succeeds in creating a touching contemporary document in which he traces the personal life story of his father and connects it with a piece of the social history of the FRG.
Ventanas de noche

Ventanas de noche

1995 • 3 min • Spain
3D animation by Ignacio Pardo
A Star Further Away Than The Night

A Star Further Away Than The Night

1995 • 28 min
Single-8 film by Tachibana Kaoru, sound.
Film Muet / Silent Movie

Film Muet / Silent Movie

1995 • 9 min • Canada
Experiments with 8mm home movie footage of the filmmaker to explore how familial roles are represented in the space of the home movie.
The Greeting

The Greeting

1995 • 10 min
Inspired by a painting of the Visitation (1528-29) by the Italian artist Pontormo, The Greeting is a video image sequence involving the interactions between three women that is projected onto a screen mounted to the wall of a dark room. In an industrial urban landscape, two women are engaged in conversation when they are interrupted by the arrival of a third woman. The new woman greets the older of the two, apparently her friend, while ignoring the other. She then whispers an urgent message in her friend's ear, further isolating the other woman. With an underlying awkwardness, introductions are made and pleasantries exchanged between the three.
My Good Eye

My Good Eye

1995 • 4 min
Kinodelic is the art of organizing the necessary movements of color film stock through the optical printer in harmony with the internal rhythm in the music of Jimi Hendrix.
The birth

The birth

1995 • 10 min • Poland
An anonymous couple comes to the maternity ward. The woman is immobilized in the bed, the man is in the waiting room. Doctors and nurses decide to have a drunken party. A mysterious guest will help Benio come into the world. An animated joke by Marek Serafinski, a creator and producer of animated films, graphic artist and content creator. From the very beginning, the artist used a combined technique, manipulating shots and graphics. Chronicle pictures of life of the 1980s and 1990s were diversified by including fantastic characters and phenomena. "The Birth" is a grotesque view of the reality of hospital births, the separation of fathers, the isolation of women, and alcohol consumption during working hours.
Mozart: Fantasia, K 397; Sonata, K 333, K 576

Mozart: Fantasia, K 397; Sonata, K 333, K 576

1995 • 60 min
Gulda's mastery of the classical repertoire is demonstrated as he plays a programme of compositions by Mozart, including, among others, the sonatas K 333 and K 576 and the FANTASIA K 397.
Frankie of the Head

Frankie of the Head

1995 • 19 min • United States of America
A documentary about Frank Di Capo, a Canton, Ohio man who was born with the rare genetic condition Lesch-Nyhan Syndrome. The symptoms of Lesch-Nyhan include violence, swearing, and self-mutilation by biting.
No Sell Out

No Sell Out

1995 • 6 min
No Sell Out employs desktop video to position images of Malcolm X in tension with commercial culture. It is a result of a series of loaded questions we ask ourselves, and now wish to impose on viewers. Mr. X is the serialized signifier that sparks problematic readings and profits in rap music, “political art,” and fashionable sportswear. Is X the sign of a meaningful difference, or just another hip style thang? Appropriating an MTV-like format to critique and question the capitalist commodification of Malcolm X’s subversive politics, X-PRZ sets computer-manipulated imagery of Malcolm X against advertising logos, archival footage, TV imagery, and a propulsive soundtrack of rock music by R.E.M. and Nine Inch Nails. – Tony Cokes
東村山8ミリ劇場/男心女心

東村山8ミリ劇場/男心女心

1995 • 53 min • Japan
This director is the worst and the best. The protagonist, Wakaizumi, makes films with his university friends, but despite being a director, he has no credibility at all due to his selfish and unprincipled nature. He has no finished films. All they have are rumours that he is a strong fighter and that he has eaten cockroaches. Wakaizumi says he wants reality in his films, but he does not know what reality is. Days seem to be unchanging. But as much as something about him hurts people, something about him attracts them, and the filmmaking continues. The well-crafted double structure in terms of composition, direction and camerawork goes beyond the framework of a self-proclaimed 'personal history film' and gives us the best of both worlds: fiction and non-fiction.