All Films

Attack of the Killer Squirrel

Hard hitting strategies to deal with gangs, drugs and street safety for kids.

Compilation film on the body. The project was initiated by Studio Een. 12 Dutch artists were invited to make a short film whose object is part of the body.

A profile of Ernie Dingo, one of Australia's finest contemporary actors. The documentary traces his career from his birthplace in the tiny Western Australian town of Mullewa, to Geraldton High school, to working as a sign writer in Perth to a career as a stand up comic, film actor and television personality.

Violence, Fear, Passion, Revolution, Pleasure, Shape, Color, Movement, Overprint, Jerky Montage, Frame by Frame, Dementia, Environmental Destruction, Disaster, Death and Renaissance.

The comedienne who co-stars in HBO's 'Curb Your Enthusiasm' performs in front of a studio audience in this show.

Writes Cokes: "In 1984 I conceived of the idea of producing a documentary that framed its own devices. I was interested in how a woman, specifically a Black woman, would speak in a television context." In The Book of Love, Cokes' mother recounts her life through interview, stories, and song, effectively re-presenting history through the personal. Through intimate subjectivity, Cokes attempts to understand his own present and history by tracing/retracing the life of his mother. - EAI

Drawing by hand directly on 16mm film, Banks challenges commercial appropriations of the image of Malcolm X.

Han closes a trilogy that began with Ere erera baleibu... (1968) and continued with Impressions en haute atmosphère (1991), which goes from the microcosm of atoms (Ere Erera) to the macrocosm of cosmic galaxies. After an "informal" abstraction obtained through the projection of fine particles on a transparent film tape from which all notion of form is shunned, the artist reintroduced in his following movies simple shapes, circles and spirals, coils, reproduced according to the most traditional technique of movement decomposition (animation cinema), which "channels" Brownian motion of matter.

"Agua en mis bolsillos" is the title of the short / documentary about the Argentine band Copiloto Pilato from the late 80s, made by Claudio Agosto. Filmed and edited on VHS in 1992, mastered by Fuga Crew in 2015. Contains images of live shows with original audio, rehearsals and videos. Copiloto Pilato released a single album in 1992 entitled "La Misma Tierra"

A Film by Hideaki Sasaki

Short animated dance film, the first from a series about the street-sweeper Bala, is set in Paris where Bala meets a spider, a street-sweeper and a green dancer.

Similar to the work of Martin Arnold, this outré and charged video-work employs footage from a Stroheim vehicle with film of a woman sexually straddling a mechanized pommel horse to suit its own message.

Our documentary traces the artist Robert Mallary’s career from his early interest in art and technology in the 1940’s through his pioneering work with mainframe computers, vector graphics, and computer sculpture in the 1960’s and early 70’s to his later collage work using a personal computer system. This documentary explores Mallary’s concept of a “systems” approach to art in which he integrates the physical process of assemblage with electronic process of computer graphics. Robert Mallary was born December 2, 1917 and died February 10, 1997.

Young Joey imagines he is flying as he runs down the steep hills around his rural home. Eventually he grows up and believes that he just imagined flying. But, one night, with his daughter, he will recall this skill at an opportune moment.

Documentary on cartoonist Murray Webb.

A new kind of mutant alien comes into existence on a blue moon and is persecuted by the original aliens.

A "letter film" in the form of a monologue addressed to Mayu, the eldest daughter of a cousin. Dear Mayu. I was very happy to see you after a long time. And then the filmmaker begins to talk about her own experience. Two years ago, when I had a lump in my breast, I went for a cancer check-up. Two years ago, when I had a lump in my breast, I went for a cancer check-up, which was the first time I saw my vagina and womb. The screen inserting Mayu's image playing by the river into the artist's image during the examination expresses the anxiety and loneliness of growing up and the awareness of one's own sexuality that lies ahead. The anxiety that Mayu feels now is something that the author herself felt in the past.

A story of two couples that begins in a watch shop. Ishikawa, a cook, and Iwamoto, a waitress, work in a spaghetti house. During a break on an empty embankment, the two have a rather absent-minded conversation. Iwamoto, is there anything you want? 'Well, a hoover...' Meanwhile, Shinichi and Chika are about to rob a bank. Shinichi and Chika are about to rob a bank, and they take a Polaroid photo of themselves for what might be the last time. Chika is worried: "Will I be able to take a bath every day in prison? Their stories proceed in parallel, as they spend the same time in different places. The only thing they have in common is that they both give watches as gifts. The only thing they have in common is that they both give a watch as a gift, a gift that both couples will never forget. One is soft pastel, the other a harsh primary colour. The artist's sensitivity in choosing the colours to suit the story conveys the pure emotions of the lovers of the 1990s in a warm atmosphere.

The film is a documentary-style drama about the search for OGATA, a friend from the film club at university who disappeared before graduation and is now missing. Carrying a video camera, the protagonist visits his old friends to find out what happened to OGATA. It seems as if his purpose is to go around declaring that he is looking for OGATA (who everyone wants to see). His friends are disgusted and tell him to "grow up". Eventually, the protagonist finds out that OGATA is in Kyushu and goes to see him with his camera. Seeing him for the first time in a long time, OGATA begins to talk about the reasons for his disappearance and his current life. This is a story of self-discovery through the act of searching for a friend. The film is as close to a documentary as possible, but it skillfully approaches the psychological structure of the protagonist, a moratorium man.

Two young rubbish cleaners are working in a deserted high-rise before dawn. A middle-aged businessman walks past them, deliberately cracks open a bottle of alcohol and walks away. They stare at him with dark eyes, still feeling the way they did a month ago when they found the dead body of a woman. As one of them picks up a bottle of wine, the other finds a plastic bag in the pile of rubbish, which seems to contain a cat.

It's Sunday morning. A boy is drinking tea in the kitchen. Next to him is Maggie, the black maid. He drops his cup on the floor and is about to sip from Maggie's cup when his mother enters the kitchen. Without saying a word, the mother takes the cup Maggie handed her and makes the boy brush his teeth. The boy was curious about Maggie. Eventually, he went to Mass with his mother, and while praying, he saw a scene that was neither dream nor reality. Standing at the entrance to the all-white chapel, the boy forced Maggie's hand and invited her in... The author, Matine de la Harpe, is a South African woman who used to make documentaries for television. The film has a professional feel to it, with appropriate camerawork and a condensed structure. Her ability to get her message across in 10 minutes is impressive.

I am a university student who is about to graduate. I'm a university student about to graduate, but I don't want to get a job, I just want to be on my parents' payroll. The only thing I can think of is "working is a bad word". This film is a re-edited version of the 70-minute version completed in 1990, with additions and deletions. The unique tempo of the dialogue and the unhurried direction create a humorous world unique to director Sabu that no one else can imitate.