All Films

A brief account of the Spanish-American War (1898) and the end of the Spanish Empire in the Caribbean Sea and the Pacific Ocean.

Stockholm is the most changed city in Europe not caused by bombing.

‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.

Behind the scenes of Jörg Buttgereit's Nekromantik 2.

On September 26, 1992, four towers in the Val Fourré neighborhood of Mantes-la-Jolie were destroyed. In the spring of 1991, Dominique Cabrera proposed to some of the former residents to retrace their steps. They go through their old dwellings evoking the memories of the past years. All the life of the housing estate resurfaces, convivial, and to say the least, happy.

A video series for children produced in Korea under the license of 스트리트 파이터 - 가두쟁패전의 (Street Fighter - Before The Street War), which was created by Hong Kong's World Comics History.

The Sorceress of Dirah is an experimental performance event of Balinese dances and legends, developed by the Javanese performance artist and choreographer, Sardono W. Kusuma, and restaged over many years, working with a group in the village of Teges in Bali. Presented widely in Europe and the USA in the mid-1970s, a film version of The Sorceress of Dirah was filmed in 35mm colour by Sardono working in Bali in 1992 with American cinematographer/ director Bob Chappell. Sardono uses a voice-over in English to introduce the various stages of his drama, but does not subtitle the incantations and utterances of the participants, in order to subject the audience to the full impact of his drama, wherein language is subordinate to the hypnotic, near hallucinatory, and at times frenzied, spell of the images.

In a café, Sandrine, 25 years old, recounts without regrets her arrival in Paris without money, her initiation into the profession of pickpocketing, and her stays in prison. Certain aspects of her story strangely echo the words of the police officer who arrested her.

According to the story, the heroes of the backyard are "Impression from the moment when a child realizes that childhood is transient". The scriptwriters combined episodes in the film on Merima's two works and placed events in an unspecified town after the wars. Costumes and sculptures refer to the wooden houses of the 1940s and 1950s. The venues included Suomenlinna and the Ruiskumestari House in Helsinki Kruununhaa. The backyard heroes were filmed for 16mm film originally as a television movie , but also taken to theatrical release.

A description of the Montevidean promenade as a vehicular route and as a communal space.

A Mermaid Movie set in Mexico!

A group of friends returns to the deserted car park where the designated driver's 4-wheel drive is situated. The group are all happy-go-lucky after a fun night out, but soon things change – something is lurking underneath.

Paris in the 1880s. The Impressionists dominate the art scene but a brilliant new talent is about to emerge. Georges-Pierre Seurat, artist extraordinaire and father of Pointillism, creates a style so revolutionary that it anticipated, over one hundred years ago, techniques used today in television and digital imagery. Seurat is an animated tribute to this visionary painter.

In the summer of 1971, Philip Zimbardo, Craig Haney, and Curtis Banks carried out a psychological experiment to test a simple question. What happens when you put good people in an evil place-does humanity win over evil, or does evil triumph? To explore this question, college student volunteers were pretested and randomly assigned to play the role of prisoner or guard in a simulated prison at Stanford University. Although the students were mentally healthy and knew they were taking part in an experiment, some guards soon because sadistic and the prisoners showed signs of acute stress and depression. After only six days, the planned two-week study spun out of control and had to be ended to prevent further abuse of the prisoners. This dramatic demonstration of the power of social situations is relevant to many institutional settings, such as the Abu Ghraib Prison in Iraq.

Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".

This is a marsh area in the very heart of the protected wetlands in the east of Uruguay, but today it has almost completely disappeared. A message in the Guaraní language, an "India Muerta" prayer, sounds the alarm about the dire consequences for nature of what human beings are doing.

In this short, the main character, who calls himself San Juaneco comes across a fugitive from Lima in the outskirts of the city. Convinced that he must rid the man of demons to found the City of Good, he ties the fugitive to a cross.

Burlesque drawings, shapes, symbols, flowers, landscape, snowflake etchings and rich abstract colour fields in continuous kaleidoscopic collision; BRAIN SURGE is in rhythmic pursuit. Chris Knowles' post-systems music track drives the film's relentless zooming and spinning images on a journey, which like the most rewarding fairground rides, is an end in itself.

The annual village sleigh race has arrived once again, and Tom's rickety sleigh is the cause of such amusement amongst the villagers. When his rival George decides to cheat in the race, Tom's chances of winning seem even less likely. But will Tom's friend's be there to help him win the race and the affections of Miss Bright?

The famous Peruvian singer Luis Abanto Morales sings Cholo Soy while Cesar Galindo gives justice to indigenous Peruvians in a condensed cinematic sequence of documentary and fictional scenes.

The photographs of two elderly people used in this work were taken during a train journey in the first half of Ishii's previous work, "Wind crossing" He uses it as a photograph. There is no doubt that these two are particularly memorable for Ishii, but how should we as an audience perceive these acts? Then something occurred to me. In my work "Guiding Star", there is a part where I walk through an underground passage at night during a trip in Hokuriku. That place was Kanazawa. Lately I've been visiting Kanazawa every year for the Maki Asakawa live video screening, but most of the time I travel from Kansai to Kanazawa, or vice versa, by express bus. Then, the bus always passes through that underground passage. Ah, it was here. With that thought in mind, I play with the memories of that trip for a while, no longer happy or sad, but dry and dry. It might be something similar. However, in my case, unlike Ishii's narration in the story, I feel like "it somehow continued to live." M.Yamazaki