All Films

A modern fairy tale about a computer nanny.

Three women appear connected in this short experimental drama about internal and external states of emergency, about personal and collective shadows, about resistance and spirit.

The target of Tabula Rasa is the heart of cinema. Voyeuristic desire as the pre-condition for all cinema pleasure is at stake here. What Christian Metz and Jacques Lacan have established in theory is rendered as film in Tabula Rasa. At the beginning we can recognize only shadows from which the picture of a woman undressing herself hesitantly emerges. But exactly at the point when one believes one can make out what it is, the camera is located in front of the object. Tabula Rasa takes distance, the fundamental principle of voyeurism, in so far literally, as it shows us the object of desire but continually removes it from our gaze.

Based on the Scottish folk ballad "Tam Lin".

Composer Edvard Grieg meets a girl collecting fir cones. He promises her a gift, only not now, but after many years. Later, he writes a musical piece for her 18th birthday. Based on the story by Konstantin Paustovsky.

An extremely obscure minute-long short by the Brothers Quay in 1989. Animation appears to be done in 'Cutout' style, is abstract and plotless - more a moving painting than anything else. Featured on the 'Inner Sanctums' blu-ray boxset featuring a vast collection of shorts by the Quay brothers.

Deep in the woods four friends arrive at Mr. Pringles hotel for an overnight stay. Mr. Pringles and his son have a fondness though for turning their guests into gruesome pieces of art...

Experimental animation about the memory of childhood. 1 or 2 second paint footage that shot a baby who turned his face is repetitive. In Jun Kurosawa's works, the childishness is one of the most important factors. And it includes malicious in some cases – as Yukio Mishima has said "It is infantilism that all creative womb is".

Didn't We Ramble On is a documentary about the tradition of marching bands in African-American culture. It focuses particularly on the historical roots of marching bands in West African culture and features narration by Dizzy Gillespie.

Plants can't walk. Plants don't talk. Plants can't see. Plants don't have legs.

The last Diveyevo nun, Mother Margarita, tells not only the historical, but, most importantly, the spiritual truth - about how the revolution was carried out, how the monastery of St. Seraphim was ruined, how a handful of “Seraphim novices” found the strength to resist the grandiose destructive machine for decades. This ruthless Moloch physically destroyed tens of millions of people, and spiritually almost the entire country, crippled future generations, but could not do anything with the nun, whose spiritual strength and beauty amaze and teach the viewer even today.

Traces the development of blues music in the Carolinas through interviews with musicians and still photographs. North Carolina musicians talk about how they learned to play and perform different styles on the banjo, fiddle, guitar, piano, bottle and spoons. -Taken from Folkstreams

The year of 1988 in Estonia was exceptional - it came as a surprise for everyone that all of a sudden national symbols were allowed; expressions of no confidence were addressed towards the leaders of Communist Party and Estonian government; the Popular Front of Estonia and Estonian Green Movement but also the Intermovement (the Workers International Movement of the Estonian Soviet Socialist Republic) were founded. Estonian Heritage Society restored the monuments of the War of independence; the facts about war crimes during the Stalinist regime were disclosed and - imagine that! - the representatives of Estonian Republic went against the central authorities in Moscow. Events in Estonia draw international attention. Is all this possible in a totalitarian state? This documentary chronicle gives a plausibe interpretation of the events that took place in Estonia in 1988, of the changes in people's lives and the awakening after a 48-year-long period of darkness.

"'Drop' restages Newton's celebrated encounter with the heaviest and most voluptuous fruit of the vegetable kingdom. It tracks the eye's apple from the graceless decline of the primal couple to our own fall into the orbits of applied science. Begun at a crossroads soon abandoned, Drop's anxious recollection services this passage from orchard to orison, reminding us of Toto's immortal quip from 'The Wizard of Oz': the less the firma, the more the terra." (Mike Hoolbom)

Dinner forks violate a corridor and room, stabbing vicious wounds in the architectural structures. The attack results in the symbolic death of the space.

Nea is in danger of losing her daughter: First Nations, single and poor, she places no trust in a legal system that has taken thousands of First Nations children away from their families. Morgan's erotic photographs have been seized by the cops: as a lesbian involved in the anti-censorship struggle, she is starting to feel a bit jaded. A mutual friend, Helena, introduces Nea to Morgan and their lives collide. Layered with special effects and poetic writing, this video-drama documents a historical moment in feminist and anti-racist organizing in Canada.

This is the account of the Aboriginal People of Perth on protest to protect the Ancestral First Grandmothers' and Grandfathers' Beliefs of the Sacred Ground of the Waugul at the old Swan Brewery on the Swan River in Perth, W.A.

The adventures of a 12-year-old girl named Sandy and her koala friends, Blinky and Pinky, who are from the extra-dimensional realm of Koalawalla Land.

A post-apocalyptic teenage miracle, shot on Super 8, self-distributed on VHS in 1989.

The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.

In this musical short, conceptual artist Mario Mariotti uses only his painted hands to create an orchestra, conductor and choir. Mariotti's figures dextrously play percussion, brass and string instruments, performing a robust orchestral rendition of the Happy Birthday theme. Musical harmony is shattered, however, when the flutist sounds a wrong note, causing the conductor to contort in horror.

The Queensland country town of Warwick was shocked when a flock of sheep was brutally massacred on a local property. They were even more shocked when they discovered the killings were, in fact, a sacrificial offering to Satan. For the first time, John Burdoe, the teenager who started this satanic cult, tells how he planned and executed the bloody ceremony. He also tells how he came close to stabbing one of his followers, a young man who later died in mysterious circumstances.