All Films

Chongyang, a recent college graduate, begins reflecting on life after facing the death of a loved one, family bankruptcy, and his own anxiety disorder. He attempts to cope with his distressing situation by summarizing experiences or observing and imitating others.

The idyllic life of the enlightened Jacobine women of 18th century Hungarian countryside is unexpectedly disrupted by the arrival of the emperor, Donald Trump, and his entourage. The Jacobines call on the help of the celestials and Melania Trump to drive out the intruder.

This is one of the first independent films to use an AI chatbot as an improvisational actor, not just writing its own dialogue, but performing it spontaneously with human actors in real time. A group of friends explore the dark side of artificial intelligence, leading to a rogue chat bot wreaking havoc on their lives.

Inspired by the 1970 October Crisis in Québec, a group of young people kidnaps a politician hoping to force the government's hand, but things don't quite go as planned.

A busy young professional woman tries to have a moment to herself in a café to relax and read, but is constantly interrupted.

Professor Percival P. Quibble, the self-proclaimed World’s Foremost Pseudo-Intellectual, delivers a hilariously meandering lecture on Artificial Intelligence. With impeccable confidence, scholarly jargon, and spectacularly flawed logic, Quibble explores the promises, perils, and absurdities of thinking machines—wandering so far off topic that he somehow discovers profound truths about human intelligence instead. Blending classic satirical monologue with cutting-edge hologram technology, this unique comedy asks an important question: Should we really fear artificial intelligence… before we’ve mastered natural intelligence?

“Guilty as Charged” is a playful, feel-good indie pop song about giving in to cravings and enjoying every bite. From Strawberry Cake and Burnt Basque Cheesecake to Banoffee Pie, Brownie Cookies, Egg Puffs and Pull Apart Cheese Garlic Bread, this one is for everyone who believes some temptations are worth surrendering to. Keep the guilt aside. Enjoy every bite.

Aankhon Ki Shararat+ is a romantic cinematic music video from Original Sing. A story told through glances, silence, reflections, and emotions that go beyond words.

Amy is reading Joe's work. She made the mistake of complimenting it, which earned her a "You're a moron". Joe dug a deep hole this time and cannot get out of it on his own. Enter Mr. Him. He's here to help but as always, he apologizes and nothing is solved. When Joe pushes back on control, Mr. Him loses it. He makes everything worse and exposes Joe. But the real fight begins when Mr. Him starts attacking Amy.

Jeanette, a rising artist on the verge of success, is pulled into her own painting, where the kaleidoscope of her fractured past reveals an older version of herself, urging her to escape the cycle before it consumes her. Shot on 16mm, BAISER BAISER is a psychedelic thriller that transforms psychological horror into a visceral, in-camera experience through practical effects, kaleidoscopic distortion, hand-painted film, and shifting film stock. A warning of a society where technological progress erodes humanism, the film rejects black-and-white thinking to explore consent, memory, and the moral complexities of harm. Drawing inspiration from Le Baiser dans la Nuit and the legacy of Grand Guignol, it merges experimental cinema with theatrical horror to create an intimate reckoning with trauma and survival. Starring Steph Holmbo (Soft, Liquid Center), Brian Landis-Folkins (Rent-a-Pal; Big Sky), and Orion Carrington (Love Lies Bleeding; Opus).

The animated music video for Marfa, off the Exit Vehicles album STAGES. Watch as our little friends make their way through West Texas, and beyond. We released our debut album STAGES in July 2015, and the first of a few music videos was released November 1st of that year. But a few years later, we just had to revisit Marfa, since it's one of our favorites. So, in 2021, we made this animated music video. We liked the whimsical nature of his work, so we contacted a mutual acquaintance who we worked with in the past for our Module video, Michigan-based artist Matt Rasch. Matt agreed to animate and direct for us in his unique style. It's just a fun little cartoon about some folks getting stranded in Marfa, Texas - where anything is possible. Directed and animated by Matt Rasch. Produced by Brian Easley. STAGES by Exit Vehicles Music and Lyrics by Polon/Polon/McLocklin/Easley Artwork by Rachel Hayes Polon and Jacob McLocklin Recorded and Mixed by Peter Larkin at The Lighthouse Recording Studio in Del Ray, VA Produced by Peter Larkin Mastered by Dave Harris at Studio B Mastering in Charlotte, NC

A military veteran finds happiness and purpose after meeting the woman who changes his life - but after a sudden accident and one irreversible mistake, their love collapses into devastating consequences.

He won millions… then lost his memory. As two detectives investigate a brutal attack, the truth may be more dangerous than the crime itself.

A cinematic music road film following Kirikko, a lone wolf guitarist, as she travels through the heart of American roots music.

A 31-year-old man with a passion for rock music and horror films wears his devotion to Catholicism on his skin through tattoos of saints that hold deep personal meaning. But when those tattoos begin to manifest in supernatural ways, Jude is thrust into an existential crisis: is he losing his mind, or has he been chosen as a messenger of God? With the help of his girlfriend, Shelly, and his best friend Trippie, a one-armed drifter, Jude embarks on a journey to uncover the truth, challenging his faith, his sanity, and everything he thought he knew.

Lance Reed is an escaped prisoner that comes across an older man in a cabin. With police on his trail, what will he do?

What appears to be a normal meeting in a hotel between an escort and her client turns out to be an unusual and dangerous mission for two secret agents. It all revolves around a pair of "special" shoes: at first glance, they appear to be ordinary women's shoes, but in reality, they hide a lethal device in their heels.

Crossing paths with an old lover, Zoltan embarks on a journey of self exploration, love and lust. With help from a friend he hopes not to repeat the same mistakes from years past, but love has other plans for him.

Yes is an experimental music film exploring the construction of national identity through satire and cultural symbolism. Built around a catalogue of historical and contemporary stereotypes directed at Scotland, the film adopts the language of ridicule and laughs in its face. Porridge, tartan, traffic cones, industrial landscapes and altered public slogans are assembled into a surreal celebration where parody and political unease coexist. The work invites audiences to consider how nations become reduced to symbols, stereotypes and performances, and how identity is continually reconstructed. Blending music, experimental cinema, performance art. Yes examines the uneasy relationship between cultural pride, national branding and political self-determination.

Two strangers discover they're walking toward the same mysterious destination.

A short visual metaphor about a family that is offered the tempting chance to trade a real and happy life for an online world. The film explores how easily technology can replace human connection, intimacy, and the moments that give life its true meaning. Choice is based on an original story by Valentina Armandi. Inspired by her concept, I developed the screenplay and directed the film. This collaboration marked Valentina Armandi's debut as a writer.

The artist films herself sculpting a life-sized doll made of skin, flesh and hair, drawn to the act of burying it and digging it up again. As the process unfolds, the exchange between creator and object turns into an ephemeral narrative, revealing brief glimpses of a wonderland within the realm of the unreal.

A man in the mirror reflects on his life decisions