All Films

What do lesbians do in bed? With a star-studded soundtrack, we're shown women doing everything in bed from knitting and drinking tea to having raucous pillow-fights.

Irit Batsry’s hallucinatory soundtrack and disturbing images create an eerie and all too realistic narrative of destruction and ruin. This is a faked report of an imaginary investigation of an event that never happened. Batsry’s purposeful avoidance of documentary only serves to give her allusions to impending disaster more force. Batsry borrows her images largely from the commercial media; pictures of a sprinter, two Oriental women fending off the camera with their hands, a figure skater; all dissolve and are reconstructed electronically so that their ordinariness and lifeless stillness seem a cover for erotic passions and rapid motion. -lux.org.uk

Join the crazy adventure as the Kidsongs Kids sing along aboard all kinds of trucks, an antique car, a boat and even a bulldozer! Chug along on a train, fly above the clouds in a jet plane and soar through the sky in a giant hot air balloon. If you love things that go, you'll love this video!

Join the Kidsongs Kids and their very silly tour guide, Mr. World, on a musical journey around the world. You'll meet kids from other lands and learn their songs, dances and games. Our sing-along itinerary includes London, Paris, Japan, Australia, Scotland, Africa, Mexico and Jamaica. It's a wonderful, song-filled journey you'll want to take over and over again!

The fantastic plant and animal life of Mongo Makongo.

Women loving women. Their story is our story. Strong capable Lesbians making decisions about their lives and their loves. Images -- a reflection of our own lives. Our own personal silhouette. A women-identified vision.

"Goblin's Chants" is a starkly reductive and hypnotic work, structured around a single charged image. Klaus vom Bruch's torso is inscribed with a rotating computer generated construction (in real: a handmade wooden model put on an ordinary turntable); creating a composite image that metaphorically describes a collapse of the private and public space of vitual media. This spectacle of technology imposed on the human body is accompanied by a haunting soundtrack of traditional songs of the Pygmies. Ultimately, the artist turns his butt onto the viewer, communicating with fundamental body language.

Jerusalem's Old City is a tiny enclave where some of history's greatest dramas have been enacted. Busy and colorful, it is the fountainhead of three major religions, the site of many of the world's most venerated shrines, and home to 26,000 people of profoundly different cultures who live side by side in a fragile peace. JERUSALEM: WITHIN THESE WALLS offers a kaleidoscopic view of the city and its people as they are today -- the remarkable outcome of 3,000 years of history, hope and faith.

This film portrait of Ethna Duffy (and myself by implication) summarizes several years between us. It consists of images collected between 1974 and 1980 edited in relation to a soundtrack that consists of an audio landscape of telephonic interruptions as they are interwoven with Ethna's extemporaneous observations, recorded on a telephone answering machine between 1977 and 1978. This film reflects our mutual love and "lunacy" which was often deflected and by inference indirectly located. PW

An animated film in which two children show a new friend from another planet how to be safe around strangers and how to respond to the lures used by dangerous strangers to trick children.

Thanksgiving dinner, from the turkey's point of view.

Neo-coloniasm's effect on the culture of the Cordillera people.

This is the story of Harold Bell Wright who as an eleven year old orphaned boy was cast out into the world to survive on his own. Alone and destitute, he was possessed of an iron will to survive with only his God to lean on. He rose out of this crushing poverty to become America's number one Best Selling Author. The first author ever to sell one million copies of a single book. This amazing and inspiring biography of Harold Bell Wright was written and produced by his son, Norman Wright. His grandson, Michael Wright portrays him as an adult and his great grandson, Jason Wright is the young Mr. Wright. Harold Bell Wright began his adult life as a country pastor bringing the Word of God in the Bible to those who could not read. He continued his ministry in his books, never losing sight of the Christian ethic he wanted to impart to his readers. They responded by making him the most popular author of his time.

The repairmen of the railways and their families, living at Road Machine Number 57, without electricity in the railway carriages.

Three roommates transform into undead after one of them was attacked in the basement.

A personal film essay on some Swedish outsider artists. Staffan Lamm retells how he encountered their work, which happened over a period of more than forty years, and what it meant to him.

In this video from 1986, go behind the scenes to see how thousands of sparkling lights and electro-syntho-magnetic musical sounds were created and presented to guests each night. From the music to the electronics to the performers, all the incredible details are in this special

“When you walk through the Bush, you hardly ever see any animals—they tend to take cover long before you actually come anywhere near them. Like a lizard, or a wallaby, which sees you and disappears. So I decided to make a film where I’d insert them… from photographs…into footage of the Bush. To make this work physically and filmically I had to invent and construct my matte-box image shifter. I wanted the animals, the sentinels of the Bush, to appear and disappear…the Bush to be living and moving. With the image shifter I matted them in and matted them out…what they now call ‘morphing’. This film was very popular with people who didn’t know much about avant-garde film—it was easy to watch, and they could get a lot of information about the type of flora and fauna in this country.” (Paul Winkler)

Extremely rare SOV from Harold Olminsky.

"A short 16mm black-and-white sound film, from 1986. Closer to being a psychodrama than any of my other films, it centres on images are projected onto and refilmed from a misted-up window."