All Films

Doppelgänger is a video performance in which Shemilt manipulates her body and her image into creating a phantasmal double of herself.

The little golden monkey is spoiled by his mother, and his temperament is becoming more and more rude, and the little animal is reluctant to be its playmate.

Using one half of a convex mirror mounted within a glass cylinder, Steina trains the video camera eye dead center as she records the space immediately around her. “Steina playfully does gymnastics with her camera and its mirrored lens attachment as a means of producing a 360-degree image of a torso wrapped around the camera lens . . . an exercise in an immersive space” for both maker and viewer. —Yvonne Spielmann

"That's the most formal piece I ever did. It's very reductionist because I was interested in dealing with the computer and the digital imaging process on its own terms. The only analog image is a voltage-controlled moving square created with the Rutt/Etra synthesizer. I used that image pattern through which to key and genlock other computer-created textures and square shapes. I was using a program called "Clear Center" where the pixel is routed from the center of the raster all the way around the rectangles in either direction at very high speed. By controlling the luminance and width of the pixel you get different kinds of textures within the square. Here, the square is articulated as an evolving architecture in time-from classical space (Greece) to outer space (Jupiter) using light energy as the building material." - B.B.

Valeria, an Argentine exile in Bilbao, is involved against her will in a political kidnapping.

A film by Jim Crutchfield, Entropy Productions, Santa Cruz (1982). Original 16mm transferred to U-matic video and then to digital video.

Atmospheric depiction of an abandoned homestead from the early 1930s to the late 1970s.

“Some had given me an iris—a little gadget which opens and closes—they were used a lot in silent movies to indicate the beginning or end of a scene. And that got me thinking about how we actually see, and how, though we barely notice it, every time we blink our own irises close down to black, and then open up again. Black and image. Black and image. I wanted to do something with time…with time as an iris closes and an iris opens. The name Traces refers to the traces we leave in time as, say, we walk across footpath, or traces on buildings, paint peeling off, or windows being dirty and being cleaned again…everything to do with time lagging. To show traces within traces within traces I put irises in many parts of the frame.” (Paul Winkler)

An experimental documentary that takes world-building to an entirely new level, Rites of Spring showcases fragments of Iran’s history before, during, and after the Revolution of 1979. It begins with scenes of daily life, working-class people, and extensive shots of farms and nature. When the Revolution hits the country, the new focus becomes demonstrations, leaders’ preachings, and scenes of strife, revealing the constant fear and chaos that hover over the country. The birds that break out of their eggs toward the end signal an undeniably effective promise of a new beginning for a country that oscillates between revolution and war.

Varble spent the last five years of his life working on an epic, unfinished performance-turned-video titled Journey to the Sun (1978-1983). Only partially complete and under constant revision, this complex work combined Varble’s history of making costumes for performances, with his fantastic stories involving metamorphosis and martyrdom. In 1982, Varble decided to make a “prelude” to Journey to the Sun, combining existing footage with new video taken in Riverside Park in New York City. This self-contained video differs greatly from the bulk of Journey to the Sun, in that it is not constructed around the main narrative, but rather is composed of prefatory remarks and extended footage of outdoor scenes, and contains no dialogue. The main aim of this prelude was to provide a key to some of the main sources for Varble’s thought — actress Greta Garbo, spiritual leader George Gurdjieff, and founder of the Subud movement Muhammad "Pak" Subuh.

Nostalgic old postcards in a not so nostalgic bawdy collage birthday present for the star of MOTHERLOVE.

Julián, a car salesman, must reach the sales objective (the hundred points of the main title) to fill the whims of his loving wife.

One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the technique of a very active camera. (T.H.)

Video project dubbed "an Opera without Words" made by the experimental, avant-garde band Tuxedomoon.

8mm work from the 6th Pia Film Festival.

This documentary is a cinematic celebration of how Lionel de Rothschild spent a fortune in creating one of the most spectacular gardens in the world.

Gaia’s Dream is a vivid animated film made by drawing and painting directly on 16mm clear film. Emerging from images which suggest primordial beginnings, a running horse becomes the focus of this rhythmic and abstract animation. At its climax, the horse is transformed and takes flight before disappearing into the sun from which it came. The musicians of Gwinyai performed a soundtrack of traditional music from Zimbabwe expressly for the film.

"My interests, like everyone else I know, come from all kinds of sources, some of which I daren't even talk about" Jim Whiting

A film made by the Tokyo Metropolitan Art High School Animation Club.

Premier of Lhasa Club, a small club in L.A. California. It was famous for providing an eclectic program. Jean-Pierre Boccara opened the club in 1982 and started to book punk/new wave band combined with performance artists, cabaret acts, comedians, poets and art-exhibition.