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Red Sea

Red Sea

1982 • 6 min • United Kingdom
Spring tides at Ynys Llanddwyn at the full and new moon are compared to the filmmaker’s own ‘body tides’ from dark to light and back again. Like other films by Judith Noble (formerly Higginbottom), The Red Sea is concerned with the menstrual cycle, and its relationship to lunar cycle. Higginbottom and other feminist artists such as Catherine Elwes, Carolee Schneemann and Judy Clark were trying to reclaim menstruation from its negative image and assert it as a source of creative energy. The Red Sea is made of 16mm film and 35mm still images, re-worked and over-printed.
It Must Be So

It Must Be So

1982 • 19 min • Soviet Union
On one of the dull ordinary days of people’s lives, the heroes of the film search for and find a way out of the situation. How does this happen?
What Mary Jo Wanted

What Mary Jo Wanted

1982 • 14 min
Mary Jo wants a puppy more than anything in the world. At first her parents, seemingly made of stone, flatly refuse their youngest daughter's heartfelt pleas and Mary Jo is openly mocked by her older siblings. Finally, when the little girl seems to be devoting every waking moment to dreaming about dogs, the parents relent. Some difficulties ensue, but Mary Jo and her dog Teddy meet them head on.
Throne of Tutankhamun

Throne of Tutankhamun

1982 • 43 min • Egypt
Salah, a boy, wanders about with his uncle through the Cairo museum, where he is fascinated by the statues and especially the restauration work in progress on Tutankhamun's throne. His uncle tells him the story of ancient Egypt and of the relation between Tutankhamun and Akhenaten.
Der Dämon in Berlin

Der Dämon in Berlin

1982 • 28 min
The classic Faustian tale transposed to the realm of the digital.
The Big Green House on the Corner

The Big Green House on the Corner

1982 • 3 min • United States of America
No-budget, silent, Super 8 horror-comedy filmed some time in the early '80s about a suburban cannibal who lives in the titular Big Green House on the Corner.
Canal

Canal

1982 • 22 min • Canada
The imagery of "Canal" captures the activity of freighters, ship's crews, dock workers and the historical masonry that the original Welland Canal was constructed from... The film is about going into my "own world of youth" and spontaneously documenting the canal environment as an adult.
cat-e-gory

cat-e-gory

1982 • 5 min • Japan
Passion Triptych

Passion Triptych

1982 • 3 min
"'Passion Triptych' makes use of three different sequences from the then popular television police series 'Hill Street Blues' recorded on VHS tape. Swann re-filmed the sequences frame by frame on Super-8, creating a three screen semi-abstracted, colour-saturated triptych. The images depict men and women in ambiguous situations of embrace or violence, creating a frieze of charged scenes whose effect is heightened by overlaying the original soundtracks with the wailing of police sirens and other sound effects." - Sotiris Kyriacou
Do it Yourself

Do it Yourself

1982 • 9 min • Switzerland
A short film on throw-away culture and TV
The Branks

The Branks

1982 • 7 min
“Death – Begetting” : symbolic physical death, to enter the Silence; the negation of banality, of everyday language, of non-stop talking; certain “words” of power that guide us to the Silence… A brank, according to Aleister Crowley, is an old Scottish device, designed for holding closed the mouth of a woman – the woman (seen in Tarot, shutting a lion’s mouth) who signifies Strength. Thus it implies the Silence is more powerful than the (physical) Strength.
TBX (Noise Version)

TBX (Noise Version)

1982 • 7 min • Japan
U.S. Sweat

U.S. Sweat

1982 • 16 min
In U.S. Sweat, which Gorewitz terms a "cathartic reaction to social and personal upheavals," he transforms images of the familiar American landscape into a nightmarish, ghostly vision. Recording throughout the South and in New York, he amassed footage that reflects the American experience. Country roads, gravestones and small-town main streets seen from a car window gradually give way to an ominous vision — saturated by Gorewitz's signature image-processing techniques and lurid, fluorescent colors — of an America dominated by industry and the military. Called a "tour-de-force" by The New York Times, this is a propulsive, kinetic work of rich visual and aural textures. -EAI
The Chicken

The Chicken

1982 • 1 min • Bulgaria
A bird struggles against a strong headwind, but things are not as they seem.
Pulse

Pulse

1982 • 8 min • Japan
Short film by Keiichi Minegishi
Uppdrag skomakarligan

Uppdrag skomakarligan

1982 • 60 min
In the late 70s/early 80s, the so called "skomakarligan" (shoemaker league) was a drug smuggling operation with a shoemaker business as a front. This documentary follows the group whose job it was to track down and arrest the people involved.
Baltazar da Lomba

Baltazar da Lomba

1982 • 19 min • Brazil
The story of Baltazar, a man convicted of sodomy by the Inquisition in colonial Brazil.
Rock Falls / Mud Slides

Rock Falls / Mud Slides

1982 • 2 min
Just in Case: Suppression of School Bus Fires

Just in Case: Suppression of School Bus Fires

1982 • 25 min
What happened to a certain American school bus full of not-so-decent American children when an act of vandalism and a stolen cigarette lighter wreak havoc and mechanical failure results in a…. school bus fire.
The Stolen Body

The Stolen Body

1982 • 42 min • Italy
Made for Italian national television, Ellis Donda’s Il Corpo Rubato (The Stolen Body) is an experimental documentary on psychoanalisis in 70s/80s Italy, its analytical practices and forms of suggestion.
For Artaud

For Artaud

1982 • 8 min • Canada
Drawing Houses

Drawing Houses

1982 • 12 min
Drawing Houses consists of two parts. In each part performers make drawings of houses. The first part is filmed at a high angle looking down at a floor. The scene opens with a close-up of the back of a Hawaii-an shirt. The Hawaiian shirt wearer moves out and a performer enters and begins to draw on the floor. A drawing of a house is made on the floor. The drawing is made so that it appears to be on the plane of the projected image and not on the receding floor plane. In the second part of the film the camera is placed so that the scene is viewed straight on. This scene opens with a black line grid on the screen. A large facial profile appears when the perfomer removes some paper that covers it. He draws in the facial details. The performer then draws a line drawing of a house. This drawing looks similiar to the one from the earlier scene. Another house is drawn in the background. However parts of each house are drawn on different planes.
Summerfall Black Berries

Summerfall Black Berries

1982 • 3 min
"A silent, in-camera improv that contemplates the early autumn colors and forms of some weathered, wild blackberries growing along a rural Maine railroad track. The berries themselves are gone - into many mouths or fallen to earth. Winter, as yet unseen, approaches from afar. The superimpositions were done in the camera and there was no further editing of the film." —Abbott Meader
The Intellectual Afternoon

The Intellectual Afternoon

1982 • 2 min
A visit to the zoo with an unauthorised Pink Floyd soundtrack.