All Films

1981 German super 8 short work

This symbolic journey evokes the personal creative wandering of the Vasulkas. The landscape, shot from a car window while driving in the Santa Fe area, is gradually transformed with more and more complicated imagery techniques.

In 1981, anthropologist Linda Connor and filmmakers Tim and Patsy Asch returned to Bali with video cassette recordings of A Balinese Trance Seance. The resulting film presents some of her reactions to Connor as she watched and listened to herself for the first time. Jero had a unique opportunity to spontaneously and consciously react to and reflect upon the experience of possession. Her comments provide insight into how she feels while possessed, her understanding of sorcery, and her humility in the presence of the supernatural world. More mundane thoughts are revealed as well, for example the importance of the fine appearance of her house. Jero On Jero could most fruitfully be used as a companion to A Balinese Trance Seance, which would be shown first and followed by a discussion, before screening Jero Tapakan's own response.

Female punks have fun boozing, smoking and talking in this fascinating film by London lifestyle chronicler Captain Zip.

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”

How friends saved a green meadow from drought.

It’s boring to play alone, and the “big ones” don’t want to play with you. But, fortunately, then everyone understands that it’s really fun to play with kids.

In the distant primitive world, where our ancestors lived - primitive people, amazing flowers bloomed, amazing animals walked and these events take place. Two little primitive people, two children, with all their curiosity explore the new world, observing the wild chickens that inhabit it, rhinoceroses with trees instead of horns and many other equally interesting and amazing creatures. One day, while playing hide and seek, they meet a cute puppy on their way, who will become their faithful friend and brave defender.

Seventy seconds of furiously energetic filmmaking in which all of the possible pauses in visual and aural activity have been removed. What is left when all of the fat has been trimmed? Monkeys with diamond studded collars, killer fish, and a parade of incongruous images, statements, questions, and answers guided to an exciting climax by a storefront dummy who takes over the interviewing chores midway through the film.

A visually stunning all-Hungarian production of Bartok's only opera, memorably led by Sir Georg Solti, one of the composer's greatest interpreters. The great Hungarian maestro, Sir Georg Solti, conducts the London Philharmonic Orchestra in a film version of one of the great Hungarian masterpieces of the 20th century. An all-Hungarian cast, led by the celebrated soprano Sylvia Sass as Judith.

Film by Telscher.

The film is a superimposition of 6 to 8 takes. In each take, a horizontal piece of white paper was moved around in front of the camera by hand.

Hors Titre I (Off-Title I) is a hermetic movie deliberately mysterious. Figure interpreted by Stuart Sherman shines in the first part of the film by his anonymity. The man drowned in the crowd, activity, all this urban life that is foreign to him. It expresses nothing, does nothing, to the point of appearing to blur the image. In the second part, it works. Always very mysteriously. The viewer built himself a sense of all these actions cut by the film. Whatever it is, its activity is internalized: slide analysis, reading, writing. The outlines of this figure then draw, and blend back into the urban landscape, this time in the open. The character became somebody through a symbolic initiation: nighter? read de Sade? photographic activity? maybe three at a time, perhaps in a dream. The key is in becoming.

Varela's reflections on home and place before embarking on one of his major life changes, moving from El Paso to San Francisco.

Documentation of a 3-projector super-8 film performance. (one projector is hand-held by the filmmaker and moves during performance) Government Property acknowledges a film's familiar function to present the illusion of another time and space while, at the same time, presenting elements which allow the viewer to also experience an event in the present tense. The latter is suggested by including elements of the projection experience such as interchanging images amongst the projectors, shadows, and varying the size and position of the hand-held projected image. The title originated from the words "government property" which are printed on each sheet of toilet paper in the British Museum. The film images, shot between 1978 and 1981, include British newspaper accounts of the Queen of England, media news coverage of the attempted assassination of Ronald Reagan, and other cultural and political monuments such as Stonehenge, the Salisbury (England) train station; the Trans-Canadian Railroad,

The Comsat Angels - the legendary post-punk band from Sheffield, England, live recording from Mensa Wilhelmstrausse, Tuebingen, West Germany, on December 12, 1981. They were initially active from 1978 to 1995 with basically this line-up. Named after the J. G. Ballard short story. They debuted in 1979 with the "Red Planet" three-track single. This release attracted Polydor A&R man Frank Neilson and the band signed a three-album recording contract. These three albums - "Waiting for a Miracle" (1980), which included the single "Independence Day", probably their best known song, "Sleep No More" (1981) and "Fiction" (1982) - are regarded by some as their best, but only sold modestly.

An early "walking" performance shot on super-8 in 1981.

Bardha works in an agricultural cooperative while Gjika works as an engineer in a mine. Due to their work, they get promoted to work in the ministry departments.

This superbly animated science film traces the evolution of North America from the Earth's geophysical beginnings, through the genesis of the first living organisms, right up to the arrival of humans. Radiant colours and smooth-flowing animation evoke sizzling lava rivers, oceans bursting with life, and freezing ice ages. The film provides an excellent view of the time frame within which these remarkable events took place and highlights the fact that, relatively speaking, we are newcomers to Planet Earth.

A film about South American immigrants who try to live in Sweden without a job.

One day at a holiday home for the disabled in Hammerdal, Jämtland, depicted in clay animation and with authentic sound from the home that the film tells about. Various episodes show everyday events and relationships between the old ones who have lent their voices and characters to the movie figures. The film shows how an ordinary day looks like meals, mail delivery, card games and visits to the Salvation Army. In the end, the real people compare and comment on their characters.

The precisions and idiosyncrasies of movement associated with domestic activities are closely stared at, or as it sometimes happens, watched carefully through the peripheral vision. This while rhyming, is done in alternance, thus creating sudden rushes in the mind while spaces collapse. Also, light burns wedges in this film, recalling…

Plexi Radar is the act of filming a gyrating motion of a circular plexiglas sculpture, which is then looped by a computer. The image of the sculpture alternately divide in between some hypnotic shots in which subconscious impose the illusion of a constant change of frame.