All Films

shows visual and metaphorical representation using rope as a motif through various rope images and meanings.

Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.

In a fantasy world, life-size cardboard animations interact with children clad in clown wigs, monkey masks, and princess costumes. Together, they host a carnival of surreal goings-on.

A short puppet animation.

To a sound-track of fun-house screams and cackles, Mirror People, a tribe of Halloween hallucinations, fuse into each other and get absorbed into their reflections and their environments in a universe where all is flux and nothing is stable, except for the constant delights of metamorphosis. Preserved by the Academy Film Archive in 2008.

About a woman and her boring life, based on haiku poems by Sonja Åkesson.

This tape was created when Woody visited his native Moravia with a Portapak camera. In the course of signal modulation an alteration in the field of raster lines is taking place, in which the lines are being vertically deformed and gain the contours of objects (with the use of a Rutt/Etra synthesizer).

Noodle Spinner takes some basic documentary footage of a Chinese noodle spinner and then loops, split, reduces and staggers it to present a series of multiple-image collages in motion: in an inventive way the film's form thus resembles the process it was seeking to represent.

A summer afternoon lying in a field. Slight breeze. Friends in the distance sit talking. Looking at a book sometimes I see them. - AN.

A Chinese Farm Wife gives us a peek into the life of Mrs. Li, a Taiwanese woman whose husband is a salaried factory worker. Along with the help of her eldest daughter and her neighbors, Mrs. Li runs their 3-acre farm, cultivating crops of tobacco and rice. She also supervises the children's education and manages the household, and is a full participant in community activities.

A look at Woburn Safari Park.

Documentary directed by Armando Robles Godoy.

Documentary short about Hans Bellmer.

An evil hunter kidnaps the mother of a small hippopotamus, but a little girl comes to his aid, and with the help of a policeman, they free the captive.

Monologue of a clown in front of a camera. Constant interruptions, which at first he accepts coily, prevent him from finishing his tale. The director interrupts him to insert some images representing a cliched reflection on the passage of time; the cameraman leaves him out of the shot to include bucolic Basque landscapes, and the producer interrupts him a third time.

Life becomes a terror for sixth-grader Mouse Fawley after he calls the school bully an ape man.

A drunk sailor, caught up in orgies, overdoes it on the drinks and ends up having a nightmare in which he is pursued by wild women on a desert island. From the series "quotidianas kodaks" (everyday Kodaks).

"TESTAMENT is James Broughton's exquisite self-portrait. A major figure in avant-garde filmmaking and poetry since the 1940s, Broughton views his life and life's work with irony, charm, humor, and a combination of joyous self-love and gentle self-depreciation. Scenes from his earlier films mix the elements of humor, magic, slapstick, melodrama, and romance which mark his aesthetic. A plethora of rich personal symbols is woven throughout the film, tied together by verbal games, Zen poems, anecdotes, songs, a child's prayer, dreams, and visions." - Karen Cooper "James Broughton's TESTAMENT is one of the most remarkable films ever produced within the American independent cinema. It is the most moving and most sublimely detached of the recent trend of filmic autobiographies - by Jerome Hill, Jonas Mekas, and Stan Brakhage, to name only the masters, and Broughton's peers." - P. Adams Sitney "A beautiful, important, mysterious work." - Amos Vogel

The Shinjuku district was the epicentre of Tokyo's art scene and the political fever pitch where protests took place on a regular basis during the 1960s. Jonouchi's compilation footage of the area defies documentary imagery and transforms itself into something altogether more poetically subjective, attempting to capture the chaos of the location through his camerawork and editing. In 1974, Jonouchi projected images of the past onto himself whilst reciting Dada-influenced and virtually inaudible poetry generating a cacophony of images and sounds, drawing from and participating in the maelstrom of political and artistic expression during the era.

Lip Sync is about sync sound and the disruption of it. [The film] works by disrupting the element and foregrounding the effect on film, and flattening the representation from image to projected filmstrip.

Short experimental film.