All Films

A high school student named Eungyo Han is recording her life in 2004.

A high school student named Eungyo Han is recording her life in 2004.

A high school student named Eungyo Han is recording her life in 2004.

A high school student named Eungyo Han is recording her life in 2004.

A high school student named Eungyo Han is recording her life in 2004.

A high school student named Eungyo Han is recording her life in 2004.

Luv, the neighbor is a true story of an army veteran who faces racism, but in the end winds over his neighbor through the love of animals

Sister Elise is a woman of heavy burdens, calloused knees, and a secret vice she keeps hidden in a small blue locket. Her quiet life in the parish of St. Stephen of the Shadows is interrupted when a crate arrives with no return address. Inside is a simple wooden chair. But when Elise sits to rest, she discovers that this particular piece of furniture has divorced itself from gravity. Rendered in a tactile, AI-generated claymation style, Nun of the Above is a whimsical and slightly ominous tale about the secrets we keep, the laws we break, and the unexpected ways we find grace.

Comedy: Emily Post searches for an arrogant general who refuses to display proper manners during the war.

A small baby-doll has come to life !

Foreclosure is a filmic documentation of a performance conceived in response to an escalating global political crisis and presented on December 13 in the artist’s studio, shortly before the intensification of war involving the United States, Israel, and Iran. Drawing on psychoanalytic theory, the work centers on the concept of Verwerfung (foreclosure), introduced by Sigmund Freud and later developed by Jacques Lacan as the forclusion du Nom-du-Père. Unlike repression, foreclosure designates what is never symbolized and therefore returns in the real as delusion or hallucination. This structure—marked not by cognitive disintegration but by affective rigidity and disturbing clarity—forms the core of the performance. Through a deeply personal narrative, I trace this mechanism in the figure of my father, who had been a passionate Nazi, whose denial of reality manifested in extreme ideological and misogynistic positions. His refusal to acknowledge an extramarital affair—recasting the woman as a fictive “comrade”—becomes a lived example of foreclosure in action. Extending beyond the personal, Foreclosure draws parallels to contemporary political dynamics, where denied realities are replaced by delusional certainties. Figures such as Donald Trump, Vladimir Putin, and Mohammed bin Salman embody this logic, illustrating how foreclosure at the level of power can culminate in violence and war. The project also incorporates responses from Hannah and Vadim, two Ukrainian refugees invited to develop their own performances on the theme of war, expanding the work into a collective reflection on trauma, denial, and geopolitical conflict. Foreclosure ultimately interrogates the psychic structures that underpin both intimate and global forms of violence, revealing how what is excluded from symbolization returns with destructive force.

Extreme exercise routine for intense fitness and awareness

Set in 1855 Missouri, Celia follows an enslaved woman living on the Newsom plantation who endures ongoing abuse at the hands of her enslaver, Robert Newsom. Pregnant and determined to protect her children and reclaim control over her body and spirit, Celia turns to ancestral rituals passed down from her mother. When Robert attempts to assault her once again, Celia fights back and kills him. Fearing the brutal consequences faced by enslaved people accused of killing their masters, she uses both fire and spiritual practices to conceal the crime. As suspicion grows and the plantation descends into tension, Celia takes drastic measures to eliminate anyone who could expose the truth. With the help of a few fellow enslaved people, Celia destroys the remaining evidence, creating a fleeting moment of freedom on the plantation. When her lover George returns after attempting to escape, they reunite in a fragile sense of liberation—aware that their freedom is temporary, but real for the moment. Celia is a powerful story of resistance, survival, and reclaiming agency in the face of unimaginable oppression.

When a mysterious, timeworn compass appears at her doorstep, a young woman is pulled into a surreal dreamworld where the laws of reality unravel and the ghosts of her past take shape. Guided by the compass through a shifting landscape of memory and illusion, she begins to relive fragments of a love she thought she’d buried—one marked by passion, betrayal, and silence. But she’s not alone in this dreamscape. Awaiting her is a former lover, left behind and broken, who now stands with a disarming smile, a sharpened blade, and a score to settle. As dream bleeds into nightmare, and the path forward becomes a maze of guilt and reckoning, she must face the emotional wreckage of their past before the compass leads her to a final, irreversible choice.

Foster care is not always what it seems. Growing up in the system, the experience was a nightmare—one filled with sights no child should endure and a harsh reality devoid of happy endings. Protecting younger siblings became a mission then, and now that mission continues with the creation of Unbroken Ties, a deeply personal documentary that sheds light on the foster care system. This story is not just one person's experience; it reflects the horrifying reality faced by countless children today. Even as this story unfolds, somewhere, a child is likely enduring abuse. Unbroken Ties delves into the trauma children face when removed from their homes—not because they are the problem, but because their environment and parenting have failed them. It also highlights the hope and healing that can arise through chosen families—those who step in when no one else will. For Nathaniel Navarro, this chosen family provided the love and security that birth families sometimes cannot, proving that the bonds we create can be stronger than the ones we are born into. Through archival footage and interviews, the documentary explores resilience, love, and the transformative power of choosing who we call family.

Lillian is caught inside an anxiety dream. Disoriented, she must rely on her castmates to guide her toward her big performance. Shot in a single continuous take and built through improvisation, the film mirrors Lillian’s disorientation with a raw, unfolding immediacy.

In the heat-soaked city of Kurogane, a wandering student named Kaine chases two things with equal obsession—perfect rice bowls and perfect fights. Feared for his unmatched skill and hunted for the bounty on his head, Kaine drifts from town to town, leaving behind broken rivals and unpaid debts. But when tensions between two rival schools—the ruthless Blue Clan and the reckless Red Clan—boil over, Kaine finds himself caught in the center of a conflict no one fully understands… and everyone’s willing to die for. As powers clash and loyalties blur, Kaine is forced to confront a truth more dangerous than any opponent: some wars aren’t fought for honor… they’re fought because no one remembers how to stop. A stylized, anime-inspired short blending kinetic action with dark humor, the film explores ego, identity, and the chaos we inherit—whether we asked for it or not.

The Last Crime has been viewed over 50,000 times within the first three weeks of its release on YouTube. The Last Crime is a raw and realistic story about two men drawn into crime at a young age, tempted by the lure of money, and forced to live with the consequences well into adulthood. When loyalty, betrayal, and desperation collide, only two paths remain: prison or death. The film is inspired by real events in Sweden, as well as documentaries, news reports, newspaper articles and conversations from the streets. It also portrays how the justice system handles these situations. The project was carried out entirely independently, from story and script to directing, filming, editing, and production.

The cost of success is himself: A corporate executive gives it all up to search for his true story and becomes a fledgling poet able to express this emotional journey. Dan Hanmer is the executive, the poet and the Corporate Prophet; an emblematic, world-bridging story of the great fight to find self, soul and purpose.

An extra-terrestrial exchange student agrees to have his college experience taped for a reality TV show, but in a twist of events, he finds himself on the run for his life.

A woman struggles to fine forgiveness after experiencing abuse.

Ginger Smith & Billy Gee, all shot in green screen, turns its focus cinematically on the relationship developing between Ginger, a painter, and Billy, an aspiring writer, after Ginger is dumped by Billy’s best friend. With interspersed dreams of the main character Ginger, The Narrator guides the story; Hiker 1 and Hiker 2 are like figures in a Greek Chorus commenting on the action and entering and leaving the story line, and Male and Female add a Freudian coda to the proceedings. All the settings are derived from paintings by the author..

In a bustling multinational corporate office, subtle suspicions about an enigmatic manager spark divergent reactions among four colleagues. What starts as casual curiosity gradually becomes a relentless quest to unveil his hidden secret, with the audience confined to the same limited perspective. This unfolding investigation raises ethical dilemmas about privacy, judgment, and societal boundaries. "What's Up Boss?" invites viewers to navigate a murky landscape of bias and truth, challenging them to form their own opinions as the mystery deepens.

A collection of chaotic images documented and shared through the public domain reveals a red line of systemic racism and cultural bigotry that spans from the early seventeenth century to present time. Highlighted, is the cosplay authoritarian guise of President Donald Trump and his highly paid goon squad, better known to the world as ICE.