All Films

ENG: In the labyrinthine streets of a decadent city, a lonely young man goes to an interview to become a rider. In his deliveries, he meets mysterious characters whose lives begin to intertwine in a framework of symbols and meanings, leading the rider to confront his deepest fears. ITA: Nelle strade labirintiche di una città decadente, un giovane solitario si reca ad un colloquio per diventare rider. Durante le consegne incontra personaggi misteriosi, le cui vite iniziano a intrecciarsi in un quadro di simboli e significati, portando il rider a confrontarsi con le sue paure più profonde.

A location scout searches for a mystical, perhaps mythical, location with perfect light where an infamous and horrific masquerade ball took place. Will he find his perfect place or something else entirely?

You don't know your dreaming until you wake up... Perhaps you wake up into another dream.

Inspired by surrealist and structuralist filmmakers, plastic poem is assembled like a wordless concrete poem incorporating sound collage and chiaroscuro images of plastic sprues, the manufacturing byproduct of tabletop gaming figurines. Play is central to its conception, however, the film itself actively rejects narrative structure in favor of treating original images as “found” objects themselves, arranged and repeated as a series of poetic devices in stanzas. This abstraction allows for aesthetic investigation and political critique to occupy the same arena, and the two tend to confuse each other: structured play vs. the superstructure.

'ghost towne™' is an experimental short film that examines the current state of the American project through the lens of an unassembled hobby model kit depicting an idealistic nineteenth century American Main Street. Set to a monologue from Thornton Wilder’s 'Our Town' by the play’s omnipresent narrator (Hal Holbrook, 1976) in a “make-believe” cemetery, the film scrutinizes American paranoia, morality, and historical optimism during a contemporary moment that ruthlessly exhumes and redeploys the nation’s darkest pastimes. 'ghost towne™' is the filmic culmination of an ongoing multi-disciplinary art project by artist M. Carson Day, and was made partially with select footage from a 2025 installation and performance piece entitled, 'a pie left cold in Our Towne™,' which was inspired by the great American roadside attraction.

Some guy learns a hard lesson in proper party etiquette. A comedy/fantasy/instructional film. Filmed on some road in Nova Scotia and some parking lot in Toronto...

In the 1940s, a young maid comes to work every day for two strange women living secluded in a manor house lost in the countryside...

After a series of unfortunate life events, Dunty finds himself moved back home with his parents. A surprise gift basket from his 'determined' ex-boyfriend casts him into a downward spiral; however, he is quickly rescued by the kind words and sweet demeanor of an unexpected guest.

Homeless woman travels from Sweden to Los Angeles to impersonate a best-selling mystery novelist. Trouble ensues when she's asked by the LAPD to help them solve a murder.

Jason sits at his desk, paralyzed by a resignation email he cannot bring himself to send. Guided by a haunting meditation that feels more like an entrapment than a release, he receives a mysterious digital message from "future self". Captured in a rhythmic cycle of breath and pixels, Jason must confront the terrifying possibility that in the digital age, "tomorrow" never actually arrives.

For those living with invisible illness we often find ourselves repetitively returning to rest. Resting Place captures the filmmaker returning to bed and reflects on their experiences living with chronic illness. The work utilizes multiple exposures to illustrate the ritual of rest.

In a small conservative city two 10 year old children from different sides of the track are walking to school when they encounter a white man at the intersection of Wilkinson Blvd that changes the children's lives forever.

“I was walking down a flooded street on my way to work when I noticed bubbles emerging from cracks in the asphalt. I took out my phone, wondering if at any moment the ground would give way to a sinkhole and I would disappear into a chasm. I wanted to express that underground feeling. This is a meditation, a moment of rest and resilience before resistance, for all who feel oppressed.” —Dimitry Saïd Chamy

This documentary short tells the story behind the original musical "When the Daffodil Blooms" and goes behind the scenes as the show is produced for the first time for Kansas City Fringe Fest.

A Minute short film that bring attention to situation in the world, that we experience right now, with wsrs and what not.

A traveling businessman stops for a stiff drink in a small-town bar, only to have his quiet night derailed when a rough-around-the-edges local reveals a hilariously unexpected side.

A head and a body are trapped in an empty room. When connection produces an intense, unnameable sensation, a conscious but immobile head confronts a body without awareness, propelled only by pleasure. In the moment when consciousness can no longer restrain instinct, control collapses.

A married couple’s world unravels when an unexpected visitor challenges everything they believe about each other.

The short film 'Unfocussed Image' takes a closer look at Hong Sang-soo’s 2023 film 'In Water', repeatedly revisiting two of its scenes: protagonist's genuine encounter with the woman on the beach as well as its reenactment – a moment of fictional reinterpretation. As the spectators of the film, we ourselves cannot see clearly. The focus plane of In Water is almost always located closer to the camera than the subjects, which ‘flattens’ an entire range of view to an ‘endless background’. This short essay-film develops an argument for the unfocussed image to become an instrument of reflexivity. Hong insists on the role of the audience, by emphasizing his own POV as equal to the viewer. The technique of the unfocus is a property of time and a category of memory. It achieves the state of uncertainty about our spectatorial impulses at the very moment of watching. The radical formal experiment in subjecting the whole mise en scene to the totality of the unfocussed image is not just a supplement to the visual style, but rather a device for reflecting upon cinema as such. The defocus shrinks the distance between the viewer and the filmic setting, as if positioning the audience into the scene, bypassing the cinematic dispositif altogether. Our perception is constantly destabilized through the unreachability of a complete picture. As if constantly inhabiting several temporalities, we encounter an image and try to remember it at the same time. The unfocussed image treats cinema as visual thought in the constant process of its formation. One can argue that Hong’s unfocussed images do not require any ‘seeing’ – for it is all about looking.

The Green Woodpecker is a sharp, satirical comedy about one man's unhinged crusade against small-town bureaucracy. When Richard Aderman, an eccentric café owner with a history of civic grudges, disrupts a city council meeting to protest restrictive zoning laws, he ignites a bizarre chain of events that sends his sleepy town into political chaos.

Taking a moment away from the noise of life, thoughts of THE decision creep into the quiet. As Woman slips into the murky bath waters of her own mind, she is forced to explore every imagined road of motherhood. Does she or doesn’t she? She emerges from her bath, none the wiser. Pruney but no epiphany. Contemplating Motherhood was awarded the Mister Tibbs, Phoebe Francis Brown Film Fund.

Life Model Protégé In this intimate and revealing documentary, filmmaker Joseph Vignieri takes us inside the rarely seen world of life modeling—posing nude for artists. Through candid interviews with several of his model protégés and the artists who draw them, the film captures the vulnerability and transformative power of an art form often misunderstood. At once bold and tender, Life Model Protégé invites audiences to take a peek inside this fascinating corner of the art world, and to celebrate the beauty and healing found through risk-taking and radical self-acceptance.

Every morning, a man selects a new face before leaving home. With it, he becomes someone else, younger, more confident, more acceptable. At work, no one questions him. Until something begins to fail. What starts as a minor glitch slowly reveals a system beneath the surface. Efficient, impersonal, and irreversible. JODER. is a darkly absurd story about identity, control, and the quiet violence of becoming what is expected.

The two friends spent every morning chatting over coffee...until one Tuesday morning.