All Films

The Silence After Sunset follows Charlie, a war veteran shattered by loss and haunted by memories. As his world crumbles—marked by abuse, grief, and isolation—he faces a quiet war within. Each sunset tests his will to endure. A haunting reflection on trauma, love, and the cost of survival.

When Nadine gets dumped by her boyfriend, her oddball mother comes to visit and turns her life upside down. Nadine tries to find comfort in songwriting, investing all her time and energy in creating the song „Papagei".

A rugged cliffside overlooking the ocean, once a sanctuary of peace, now holds the weight of a painful past for a family that has been torn apart by a web of secrets and silence. They discover that silence is the greatest enemy of the truth and that a conversation that was not had for too long might have been the real problem. This film fuses the Australian landscape with Klimt inspired visual images and palettes, alongside the interplay between a contemporary and an original Shakespearean sonnet. It invites audiences to question perception itself, revealing that what first appears to be one set of circumstances is, in truth, something entirely different. At its heart, the work explores the act of listening with intention rather than assumption. It examines how meaning is lost when words are heard but not truly received, both in conversation and in poetry. Through the tension between passive and active listening, the film reveals how silence, misunderstanding, and unexamined interpretation can cause damage equal to, or greater than, spoken conflict. Music and sound become emotional guides within the film, shaping perception and deepening understanding. They move beneath language, supporting what is heard, revealing what is felt, and giving voice to the spaces where words fail. Blending poetry, cinema, visual art, and sound, the film moves beyond conventional narrative to create a new storytelling form we describe as a Cinematic Poem.

The story of Józef Noji feels like a ready-made film script. A boy from a poor village in western Poland who, through sheer determination and talent, reached the Olympic track in Berlin in 1936, right into the heart of sport turned into a tool of Nazi propaganda. Fifth place in one of the most brutal Olympic finals ever run, a Polish national record, and a fierce rivalry with the legendary Janusz Kusociński were only part of his journey. This is a story about a carpenter who ran dozens of kilometers to work, about passion, ambition, and conflict in sport, but also about war, resistance, and moral courage. Noji refused to sign the Volksliste, worked in the underground, was imprisoned in Pawiak, and later deported to Auschwitz. He was executed as a political prisoner, remaining loyal to Poland until his final moment. The film brings back a figure almost forgotten today. An Olympian, a champion, and a patriot. A man whose life and death became a symbol of a generation destroyed by war.

Anthony, an American filmmaker living in Amsterdam, sets out to create a film entirely generated by artificial intelligence. As inspiration grows, reality begins to fracture. Impossible skills emerge, historical figures appear and fragments of imagined worlds invade his everyday life. What begins as a creative experiment spirals into a surreal collapse of simulations, identities and control. Blending absurdist humor, meta cinema and speculative science fiction, The Edit explores authorship, consciousness and the unsettling possibility that reality itself may be nothing more than another rendering.

A film of working and waiting on the hills of Calderdale, in Yorkshire, England. This is a 3 minute poetic documentary talking to the sheep farmers who live and work on the hills above the town of Todmorden. They reveal details of their lives and about February, the time before lambing. Shot in Black and White on an iPhone, the film shows true beauty in the bleakness of the time of year. It is a time of getting on, whilst quietly waiting for new life.

A French expat in Berlin wakes up after a blissful night with her boyfriend to a fertility notification that sends her on a quest for the morning-after pill; an unexpected journey through the city, filled with absurd encounters and quiet questions only a woman can face.

Liberty vs. Tyranny is a short documentary that reflects on the delicate balance between freedom and authority in democratic societies. Every nation is founded on the belief that power must serve the law and remain accountable to the people. Yet history repeatedly shows how fragile that balance can be. In moments of crisis, fear, or political tension, the institutions designed to protect liberty can be tested. Through symbolic imagery and reflective narration, the film explores the meaning of constitutional ideals and the shared responsibility of citizens and institutions in safeguarding democracy. Rather than offering simple answers, the documentary invites audiences to reflect on a timeless civic question: When those entrusted with power become the guardians of democracy, who watches them?

A micro doc about Annmarie Wunschel, a rancher in northern California.

A scene of a feature film The Witch's Knight

Two men have sheltered in a remote bunker. When a stranger comes seeking refuge, their fragile coexistence unravels.

The story was inspired by true events. All the operettas and operas in the film are sung by 3 to 13 years old Riana Emma Balla. The main character of the story is Ava, a 13-year-old young soprano talent, whose abilities are not recognized and therefore cannot show herself in public, despite having been singing classical music since childhood. She is a member of an amateur church choir for the joy of singing and the love of the audience. Besides music, her other great passion is literature, and his partner in this is a lonely old man, Albert, with whom she regularly meets in a park, where they read, talk about books, and even lend them to each other. The third main character is Henrik Hoffmann, a music producer. He rejects Ava's application, which arrives at his production office. Albert and Henrik meet by chance in a restaurant, where Albert helps Henrik out of an awkward situation. Influenced by what happened at the restaurant, Henrik decides to give Ava a chance, so Henrik goes to the church choir rehearsal. However, Ava faints during choir rehearsal. The story then takes a sudden turn, and we see Ava as a successful performer on stage, supported by Henrik. Even though the young soprano embarks on the path to fame, her good relationship with Albert remains intact, because they are important to each other. After the concert series, Ava shows up at the usual time and place, where Albert is already waiting. Ava returns the borrowed book, in which she places a flyer with information about the next performance. Then the girl leaves, and the old man, looking at the flyer, notices a familiar name: producer Henrik Hoffmann. One of the main messages of the film is that our actions not only affect others, but also ourselves. Even a small kind gesture is enough to start the butterfly effect. Through the film, we show that sometimes being talented and hardworking isn't enough; you need someone to lend a helping hand, someone to uplift you and give you light wings.

Vincenzo, a loyal mafia hitman, is given the order to eliminate his closest friend and mentor, Giovanni, who has retreated to a quiet life in a trailer. Haunted by guilt, Vincenzo finds himself tormented by waking nightmares as he visits Giovanni under the guise of a friendly reunion. Over the course of a day together, Vincenzo finally reveals the truth and begs Giovanni to run away with him. But Giovanni confesses that he was the one who asked the mafia to send someone after him—diagnosed with terminal cancer, he wishes to die on his own terms, with dignity. Despite Vincenzo’s desperate pleas, Giovanni compels him to carry out the fatal act.

Han Peng, who works at a repair shop in a county town, has a secret: he doesn't want to spend his whole life here. But trapped between his mother and the grip of small-town life, he has never set off. Until that day, he realizes—the person who wants him to stay the most has a secret of her own too, one she's never spoken.

Echoes follows Gareth and Grace as they flee from a life-changing situation. Hiding along the Irish coastline they find their fractured relationship and the consequences of a shared dark past are brought to bear.

Johnathan is ready to start dating for the first time, and when he gets set up on a blind date by his cousin, he arrives at his date’s house dressed to impress. Awkward but sincere, Johnathan shows up only to be mistaken by his date’s sister Vanessa for a last-minute tech guy there to fix the Wi-Fi. Stumbling his way through suggestive misunderstandings, hilarity ensues as he plays along with the absurdity. Will he sabotage his shot at romance, or somehow stumble backward into his first real fling?

A professor and a student talk about today's school

Lured into a dust-submerged forest by a mysterious stranger, a teenage boy becomes lost in a mutated world, where the boundary between reality and fantasy collapses.

This short film captures a moment in a day in the life of a human engaged in a very human act.

Documentary Series

A father in financial trouble dresses his daughter like a doll and rents her out as a prostitute. One night will change the roles in their lives.

In this modern twist of Pygmalion, a middle aged conservative male visiting Reactionary Engineering labs is greeted by a curt engineer who introduces him to their latest creation, The Perfect Woman, an artificial female, who, at first appears to embody all of the subservient attributes desired by sexist male chauvinists.

A real-life-experience painfully remembered to create a visceral 12-minute film-noir triptych where original poetry and iterative AI direction reconstruct the psychological landscape of a near-fatal medical emergency, charting a journey from physical rupture to spiritual surrender. This is VERSION 2 of the work with ‘TRUST” audiovisual AI props substantially reworked. I have diagnosed C-PTSD, this is not an inhibitor but more of an enlightening factor.The poetic works are published in “lines that Linger’, ISBN-13 979-8275243222

In a visceral triptych of ego and identity, three different faces embody the same narcissistic impulse—ascending through self-mythology, imploding under the weight of their own reflection, and confronting the fragile threshold between decay and rebirth. I have diagnosed C-PTSD, this is not an inhibitor but more of an enlightening factor. A Triptych: The Arc of a Narcissist is structured in three movements—Rise, Collapse, and Decay/Rebirth—each featuring a different protagonist, yet each driven by the same psychological engine. Rise. A figure constructs themselves in real time. Language is weapon and seduction. Presence becomes dominance. The self is engineered as spectacle—polished, persuasive, untouchable. Identity is not discovered; it is manufactured. And it works. Attention gathers. Power consolidates. The ego expands until it feels indistinguishable from truth. Collapse. A new embodiment, the same traits. The architecture begins to fracture from within. Certainty curdles into paranoia. Control becomes dependency. The need for validation intensifies, exposing the fragility beneath the grandiosity. The performance falters—not publicly at first, but internally. The reflection starts resisting the script. Decay. Another face, but the same pattern stripped bare. Without admiration, the persona corrodes. Grandeur collapses into isolation. The self, once inflated, becomes hollowed out—an echo chamber of its own projection. What remains is not power, but hunger. And then the rupture. Rebirth. The cycle does not resolve through destruction, but through recognition. The narcissistic traits are not erased; they are seen. Awareness interrupts repetition. For the first time, the self is not performing—it is witnessing itself. Rebirth here is not redemption. It is consciousness. And consciousness is destabilizing. Across 8 minutes and 37 seconds, the film evolves from character study into psychological anatomy—suggesting that narcissism is not confined to one individual, but moves through many, wearing different faces while preserving the same core. This film is a personal observation of narcissism—an inquiry into how the self constructs, protects, and ultimately consumes itself. The decision to shift protagonists in each movement was deliberate. Narcissism is not a singular identity; it is a transferable pattern. By changing faces while maintaining the same traits, the film emphasizes that the arc belongs to the psychology, not the person. The repetition is intentional. The discomfort is intentional. All poems and lyrics are written by me. The narrative structure is mine. The edit is mine. AI tools were used to generate and sculpt the visual and sonic landscapes through iterative direction. These tools functioned as instruments—responsive to refinement, tension, and pacing. The authorship remains singular. Every frame was guided, shaped, and constructed with intention. The aesthetic is visceral rather than atmospheric. I wanted the audience to feel inside the psyche—inside the expansion of ego, the fracture of illusion, the suffocation of isolation. The pacing mirrors inflation and implosion. As the narcissistic core destabilizes, so does the visual language. Originally, the final movement ended in decay. But that felt incomplete—almost evasive. Narcissism often survives collapse. It mutates. It rationalizes. Yet sometimes, in rare moments, awareness pierces through the armor. The alternate ending acknowledges that possibility. Rebirth is not salvation. It is confrontation. It is the terrifying clarity of seeing oneself without distortion. This film does not condemn narcissism. It dissects it. It asks what happens when the mirror stops flattering—and starts telling the truth. As a result of my medical emergency in December 2022, I have some disabilities which have driven me to push my artistic and creative boundaries,