All Films

June and May have been best friends throughout high school, dreaming of attending the same university. As graduation approaches, both are accepted to their dream school, but June learns that May might choose a different path. Feeling betrayed, June confronts May, who struggles to explain her situation, fearing June's disappointment. In class, a teacher's speech makes them realize how little time they have left. June begins to understand and accept May's decision.

This three-minute film provides a haunting look at human indifference. The entire story unfolds inside a moody, dimly lit 1930s European café, where elegant patrons and their children sit in a bubble of willful ignorance. Dressed in slightly surreal elegance —highlighted by striking pops of red, like a woman’s cloche hat and a central character's crimson coat—they spend their time smoking, gossiping, and lounging in total comfort.

In the women's restroom of a small urban mall, the couple Ana and Carlos seek a moment of forbidden intimacy in a desperate attempt to save their marriage. What they planned as a quick, passionate encounter, however, turns into a claustrophobic trap. As they try to reconnect, they are interrupted by a succession of women, each one carrying a world of private crises into that anonymous space. Sobbing, unexpected confessions, and a growing tension from outside the stall force the couple to listen to the dramas of strangers—dramas that gradually become a cruel mirror of their own relationship. OCCUPIED is a short film about the secrets we keep, the truths we blurt out, and the loneliness that persists even in the most crowded places. Blending acidic realism with psychological suspense, the film transforms a banal setting into a powerful microcosm of contemporary anxieties and hypocrisies.

The religious harmony of a Northern Nigerian community is tested after a Christian girl is murdered

A wannabe crypto influencer attempts to gain a online fanbase until his confidence is shaken by a mysterious anime girl streamer named Glitchy Mina.

Harry has a gift...he feels the past in buildings, objects, people, animals, especially birds. When he was kid he thought he was cursed.

L'Armatura (The Hero's Path) is a 2024 Italian rap song: the song was written and produced by Skuba Libre and recorded at Theropod Studio. This song is a rap fairy tale that addresses the theme of travel and personal evolution. The armor symbolizes our ego and our small comfort zones from which it is necessary to free ourselves to face the fear and to be reborn as a new human being. In the video the theme of the journey is the focus, from the beginning there is a reference to the eternal cycle of the seasons and then we move on to the actual journey of our storyteller, alternating between internal and external trips, until the end of the story which ends with the metamorphosis into a free spirit who starts another journey...

Pet Conspiracy, the band started from Beijing in 2008, the members are from China and Italia. This documentary follows the Pet Conspiracy during their third European tour. It captures a series of candid moments from life on the road—along with several unexpected incidents that occurred during their performances across Europe. The film reveals the band members in their most natural and authentic state, portraying an independent band at the early stage of its rise, filled with ambition and anticipation for the future. With the exception of the opening concert, all music featured in the film is taken directly from the live audio recorded by the camera during filming. Music runs through the entire documentary as its core element—throughout the journey of the tour, music is everywhere.

On a school trip to a memory care facility a boy, Max, is paired with an elderly woman, Alice, who runs away. Max must navigate his way through all the absurd patients and bizarre things happening in this home with an end goal of finding the woman who just wants to get home.

Set in **Madras (now renamed to Chennai) 1953**, *Joseph, The Brahmin* , Based on the real life of this writer's father, is a tender, decades‑spanning drama about love that defies caste, faith, and family tradition. Venky, a young Brahmin pharmacist, meets Maria, an Anglo‑Indian Christian girl caring for her ailing father. A quiet exchange at the hospital window becomes the beginning of a profound connection. Their innocent meetings grow into a heartfelt romance—one strong enough for Venky to challenge the rigid boundaries of his upbringing. When Venky asks for Maria’s hand, he faces fierce resistance from his orthodox family. Choosing love over lineage, he leaves home, converts to Christianity, and becomes **Joseph**. The couple marry without his parents’ blessing and build a life together—raising children, working hard, and holding onto each other through every storm. Years later, a legal notice forces Joseph to confront the family he left behind. What begins as a tense reunion slowly unravels buried truths: Maria reveals Joseph’s mother was once an abandoned Anglo‑Indian child who converted to survive. The family’s prejudice is shattered by the weight of its own history. In a deeply emotional climax, Joseph’s parents finally accept Maria and their grandchildren, recognising that love—not caste, not religion—defines a family. *Joseph, The Brahmin* is a moving story of identity, sacrifice, and reconciliation. It explores how love can challenge generations of division—and ultimately heal them.

Lessinia, North Italy, 1903. Andrea Piccoli, known as “Il Rosso”, leaves his birthplace in the Morandini district of Erbezzo to go and work in the coal mines of Ohio in America. He opens the way for other people from the village who will join him in the following years. True stories of emigration full of desire and hope for a better life, which make us think about the complexity of migrations in our times.

René and Linda, actors in an eight-year relationship, begin to see their real-life bond unravel while rehearsing a play about a fractured couple, drifting into memories of their first date.

We find ourselves inside an ancient 19th-century prison, a place steeped in history. Born during the three days of mourning for Giuseppe Garibaldi, a national hero, the prison was decommissioned after two centuries when the last inmates were transferred to a modern facility. Abandoned for over 30 years, the prison becomes the stage for contemporary artists who, just before its irreversible transformation, decide to bring it back to life in a surprising way. Over six months of 'creative spelunking', painters, photographers, filmmakers, dancers, and musicians collaborate to unearth 'Communicating Artistic Organisms’. This 'Urbex Squad' immerses itself in decaying cells, inscriptions carved by inmates, and dusty files, aiming to explore through their diverse art forms the powerful link between vulnerability and creative strength that resides within each of us. The story of 'Vulnerare' reflects on the absurdity of modern times, where beauty and strength can emerge from the most unexpected corners and from the most challenging experiences. The prison becomes a metaphor for society, where its complex history and potential for transformation merge through creativity and the sharing of human vulnerabilities.

This documentary takes you inside the heartbeat of a community-led conservation movement that is rewriting the future of rainforest protection. We follow the dedicated Ibu Bumi Orangutan team deep into the jungle as they deploy and monitor camera traps, hoping to capture photographic proof of wildlife presence needed to legally protect this vital wildlife corridor.

The pure love in 3D

"Il mio canto è memoria" (My Song is Memory) tells the story of the Vajont tragedy and life in the village of Casso through a unique perspective: the oral memory of women's singing. Produced in collaboration with the Società Filologica Friulana, Associazione Gottardo Tomat, and the Friuli Venezia Giulia Region, the film weaves together intimate testimonies from local residents — many breaking decades of silence — with visceral aerial shots through the village alleyways and over the dam. An intimate and powerful work in which singing traditions become an act of resistance, healing, and preservation of community identity.

I Was 12 is an autobiographical AI-generated music video and experimental short film about childhood abuse, survivor silencing, and the erasure of truth by power, shame, and denial. Rooted in the lived experience of a woman who survived childhood abuse and grew up with the fear of disappearance in Rome, Italy, the film transforms personal memory into a wider act of witness. It also stands as a memorial for Jeffrey Epstein’s victims and for all children and adults whose reality has been denied, minimized, or made unspeakable. At its center is one sentence: “I was twelve.” Not as confession, but as evidence. Through a fragile cinematic waltz, haunted elegance, symbolic distortion, and AI-generated visual storytelling, I Was 12 refuses the spectacle of pain and turns silence into image, rhythm, dignity, and presence.

Maa Illu is an emotional drama exploring the bond between a home and the love of the parents who built it. When Srinivas, Ramya, and their child move into an old house, they experience comforting, mysterious events—rooms are always tidy, vessels neatly arranged, and their child seems guided by an unseen presence. Curious, Srinivas uncovers the story of Raghava and Lakshmi, an elderly couple who built the house with love and sacrifice, dreaming of family togetherness. Over time, their children left, leaving the couple alone in the house that once overflowed with laughter. Maa Illu is a heartfelt journey revealing that a home holds memories, sacrifices, and the enduring love of those who built it.

Broken Wings portrays the inner world of a homeless man who transforms the city's discarded waste into an act of creation and quiet resistance. Through striking black-and-white imagery and a poetic voice-over, the film explores exclusion, identity, and the search for freedom in a world shaped by consumerism and indifference. A haunting visual meditation on those society chooses not to see, yet whose humanity remains unbroken.

Never Alone is a faith-based short film inspired by a true journey through debilitating anxiety and the life-changing power of Jesus Christ. Samuel is trapped in a relentless battle that no one around him can see. As fear tightens its grip and hope begins to fade, he desperately searches for relief from the torment consuming his mind. When every earthly answer falls short, he encounters the quiet, unwavering presence of the Holy Spirit, who gently leads him toward the One who has never left his side. Raw, intimate, and deeply personal, Never Alone is a powerful testimony of God's faithfulness, revealing that Christ's presence is often closest in our darkest moments and that true peace is found not in escaping our fears, but in surrendering them to Him.

Bleeding the Demon is a raw and unflinching documentary that follows Mathew Love’s transformation from addiction, trauma, and self-destruction to a life rebuilt through discipline, accountability, and truth. After reaching a critical breaking point, Mathew undergoes gastric sleeve surgery, but soon realises the operation is only the beginning. What follows is a relentless confrontation with the patterns that shaped his past, as he works to rebuild not just his body, but his identity. At the centre of the film is a unique system of “loaded” training, carrying heavy weight up steep terrain, serving as a physical expression of the internal burdens he once carried. As the weight increases, so too does clarity. More than a transformation story, Bleeding the Demon is an exploration of what it means to face oneself honestly, to take ownership, and to change, one deliberate step at a time.

Laney, a former fighting champion, lives a quiet life until her 9-year-old brother Tim is kidnapped in broad daylight. The kidnappers demand $100,000 within three weeks - no police, or Tim dies. Desperate and out of options, Laney returns to the underground fight circuit. She meets Alex, a once-famous fighter haunted by his past. At first, he refuses to train her, but after learning the truth, he decides to help. Together, they push through brutal sessions as Laney prepares for a no-rules tournament run by a ruthless Boss. Laney wins her matches, but the Boss gives her only part of the prize money, telling her, "Keep fighting - the more you win, the more you earn." He plans to profit from her, not kill her. When Laney tries to take her full share of the winnings, the Boss's thugs ambush and beat her. Alex steps in to protect her and is stabbed during the fight. Bloodied but alive, they escape together, ready to risk everything to save her brother.

CArbonia, late 1980s. The city that grew up around the coal mines is experiencing a rude awakening: the mines that for decades provided jobs and a sense of identity to an entire community are now a distant memory, and in their place remain unemployment, urban decay, and a widespread sense of abandonment. It is in this post-industrial Sardinia that Caterina and Cinzia, sixteen-year-old inseparable friends united by a passion for volleyball, try to imagine a future different from the one their homeland seems to have already mapped out for them. Caterina has a strong personality but hides a fragility: she dreams of escaping a reality that suffocates her. The mining crisis has devastated her family: her father, a former miner, is a shadow of the man he once was; her mother works far from home just to make ends meet. Cinzia shares her desire to escape, her hunger for a different life. The two girls thus slip into a dangerous world, suspended between illegality and a desperate search for autonomy, becoming increasingly trapped in a web from which it seems impossible to break free: the film follows their emotional and moral journey, alternating moments of intimate complicity with the harshness of the choices they face, until the tragic conclusion that overwhelms them. Loosely based on the never-fully-resolved story of Gisella Orrù, *Stelle nel Pozzo* is a tale of friendship and the struggle for dignity in a context of marginalization. Through the stories of Caterina and Cinzia, the film offers a glimpse into

Overworked and down on his luck, John suffers a TIA, and his struggle to keep his life in balance is impacting his health for the worse, unless he makes some serious changes it will only get worse